Tracklist Hide Credits

1	–Petteri Nisunen & Tommi Grönlund	5000-11000Hz	5:42
2	–Brandon LaBelle	2000-5000Hz	7:32
3	–Hans Sydow	1000-2000Hz	4:33
4	–Jana Winderen	500-1000Hz	4:00
5	–PerMagnus Lindborg	350-500Hz	16:08
6	–J. G. Thirlwell*	250-350Hz	3:54
7	–Kent Tankred	180-250Hz	3:00
8	–Mike Harding	140-180Hz	3:00
9	–Jacob Kirkegaard	90-140Hz	4:28
10	–BJNilsen	65-90Hz	3:02
11	–Franz Pomassl	25-65Hz	5:00
12	–Finnbogi Pétursson	0-25Hz	3:05
13	–freq_out	Collective Arranged By – BJNilsen	12:16

Credits

• Design Concept, Other [Curated By] – Carl Michael Von Hausswolff
• Mastered By – Denis Blackham
• Photography By – Brandon LaBelle, Finnbogi Pétursson

Notes

What: A sound installation consisting of 12 individual audio works which are presented as a single piece

Where: Any large self-contained space will work. The first event took place at Charlottenborg Exhibition Hall, Copenhagen, Denmark, in June 2003.

Who: Encouraged by d!sturbances, Swedish artist and curator C M von Hausswolff assembled a collection of 13 artists representing the elite of international sound art. The group consist of sound artists, architects, composers, producers, sculptors, mathematicians and visual artists. The installation was part of a larger event taking place at the Royal Danish Theatre and Charlottenborg in Copenhagen.

How: Each player is assigned a frequency range to work with. This process is carried out in situ, each player using a workstation consisting of mixing desk and PA system. All the resulting sounds are then mixed together in the space provided to create a sound installation.

Why: The project reveals how space-specific certain frequencies can be, but also how other sounds can be separated from their source and ‘thrown’ around the space. It also shows how sound ‘fits’ (or not) into the space provided by exploring the complexities of frequencies and their inter-action. The final mix not only reveals the innate properties of the frequency ranges, but also the possibilities when they are combined.
The result is a lively and accessible sound-filled space which can be approached either as a traditional installation, or as a theme park of sound.'