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Michael Viner's Incredible Bongo Band - Bongo Rock

Musician: Michael Viner's Incredible Bongo Band
Album title: Bongo Rock
Style: Surf, Funk, Disco
Released: 1973
Country: US
Size MP3 version: 1644 mb
Size APE version: 1471 mb
Size WMA version: 1177 mb
Rating ✫: 4.2
Votes: 795
Format: APE FLAC TTA MP1 MP2 VOC ADX
Genre: Rock / Funk / Soul

Michael Viner's Incredible Bongo Band - Bongo Rock

Michael Viner's Incredible Bongo Band Instrumental Surf Psychedelic Rock Funk 2006 UK

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Michael Viner's Incredible Bongo Band - Bongo Rock
MP3 version ZIP archive

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Michael Viner's Incredible Bongo Band - Bongo Rock
APE/FLAC version ZIP archive

1177 downloads at 22 mb/s

Michael Viner's Incredible Bongo Band - Bongo Rock
WMA version ZIP archive

1644 downloads at 18 mb/s

Tracklist Hide Credits

A1	Let There Be Drums Written-By – Podolar, Nelson	2:38
A2	Apache Written-By – Jerry Lordan	4:54
A3	Bongolia Written-By – Perry Botkin, Jr.*	2:14
A4	Last Bongo In Belgium Written-By – Viner, Botkin, Jr.	6:55
B1	Dueling Bongos Written-By – Viner, Botkin, Jr.	2:56
B2	In-A-Gadda-Da-Vida Written-By – Doug Ingle	7:42
B3	Raunchy '73 Written-By – Justis, Manker	3:23
B4	Bongo Rock '73 Written-By – Egnoian, Epps	2:35

Companies, etc.

Record Company – MGM Records
Manufactured By – MGM Records
Recorded At – Can-Base Studios
Published By – Travis Music Co.
Published By – Regent Music
Published By – Kindfield Music Co.
Published By – Forward Music Co.
Published By – Cotillion Music, Inc.
Published By – Ten East Music
Published By – Itasca Music
Published By – Hi-Lo Music, Inc.
Published By – Drive-In Music Co.
Copyright (c) – MGM Records, Inc.
Phonographic Copyright (p) – MGM Records, Inc.

Credits

Producer – Michael Viner, Perry Botkin Jr.

Notes

Ⓟ 1973 MGM Records, Inc. except A3, B4
Ⓟ 1972 MGM Records, Inc.

Catalogue# on cover: PRD-0028
Catalogue# on labels: PRD 0028

Barcode and Other Identifiers

Matrix / Runout (A-side label): MGS 3274
Matrix / Runout (B-side label): MGS 3275
Matrix / Runout (A-side runout groove inscription): PRD 0028 MGS-3274 ROSS #1 ~
Matrix / Runout (B-side runout groove inscription): PRD 0028 MGS-3275 ROSS #1 ~
Rights Society: ASCAP, BMI

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
23 15 255	The Incredible Bongo Band	Bongo Rock ‎(LP, Album)	MGM Records	23 15 255	Spain	1973
PRD-0028, PRD 0028	Michael Viner's Incredible Bongo Band*	Bongo Rock ‎(LP, Album)	Pride, Pride	PRD-0028, PRD 0028	US	1973
PRD-0028, PRD 0028	Michael Viner's Incredible Bongo Band*	Bongo Rock ‎(LP, Album, Promo)	Pride, Pride	PRD-0028, PRD 0028	US	1973
MED-002	The Incredible Bongo Band	Bongo Rock ‎(LP, Unofficial)	Medicine Men Records	MED-002	Europe	Unknown
2315255L	Michael Viner's Incredible Bongo Band*	Bongo Rock ‎(LP, Album)	MGM Records	2315255L	Italy	1973

Link:

Andronrad

apache, as sampled by dj sprinkles : ) ) )

lubov

He's not the first and won't be the latest to sample one of the best drum breaks known to humanity!https://www.whosampled.com/Incredible-Bongo-Band/Apache/

Debeme

Why jim Gordon is not credited on this record ?

Zyniam

What tracks is he responsible for? if you know that would be good

godlike

I've got a line on a NM French copy (OG press) for a great price. Anyone know anything about it? Is the quality the same as US? PLEASE HELP! Offer will be gone tomorrow!

Goldendragon

Michael Viner’s Incredible Bongo Band – Bongo Rock (1973)• The Incredible Bongo Band was formed to make a single track for the soundtrack to an early 70’s horror film. When that track went to #1 in Canada, the label (undoubtedly smelling money) asked for a full-length follow up. From there it should have been a short hop to obscurity, but a funny thing happened on the way to the dustbin; a house party DJ in the South Bronx named Kool Herc used 2 copies of the record as a way to keep his crowds moving – making it the first breakbeat album ever. The music from those parties is now considered to be the cornerstone of the hip-hop culture and sample-based music. Mojo calls it – no joke – “possibly the most influential album in the history of post-60’s popular music.”