» » Tomahawk - Oddfellows
Tomahawk  - Oddfellows

Tomahawk - Oddfellows

Musician: Tomahawk
Album title: Oddfellows
Style: Alternative Rock
Released: 2013
Country: UK, Europe & US
Size MP3 version: 1170 mb
Size APE version: 1564 mb
Size WMA version: 1388 mb
Rating ✫: 4.8
Votes: 706
Format: MOD RA FLAC AUD DTS VQF DXD
Genre: Rock

Tomahawk - Oddfellows

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Tomahawk - Oddfellows
MP3 version ZIP archive

1564 downloads at 21 mb/s
Tomahawk - Oddfellows
APE/FLAC version ZIP archive

1388 downloads at 22 mb/s
Tomahawk - Oddfellows
WMA version ZIP archive

1170 downloads at 18 mb/s

Tracklist

1 Oddfellows 3:29
2 Stone Letter 2:52
3 I.O.U. 2:38
4 White Hats / Black Hats 3:21
5 A Thousand Eyes 2:40
6 Rise Up Dirty Waters 3:06
7 The Quiet Few 3:48
8 "I Can Almost See Them" 2:36
9 South Paw 4:00
10 Choke Neck 3:51
11 Waratorium 3:27
12 Baby Let's Play ____ 2:43
13 Typhoon 2:11

Companies, etc.

  • Phonographic Copyright (p) – Ipecac Recordings
  • Copyright (c) – Ipecac Recordings
  • Recorded At – Easy Eye Sound
  • Mixed At – Easy Eye Sound
  • Manufactured By – Fontana Distribution
  • Distributed By – Fontana Distribution
  • Pressed By – Sony DADC – DIDX-827407

Credits

  • Artwork – Ivan Brunetti
  • Edited By [Additonal Editing By] – Eric Holland
  • Mastered By – John Baldwin
  • Performer [Tomahawk Is] – Duane Denison, John Stanier, Mike Patton, Trevor Dunn
  • Recorded By [Additional Recording By] – Mike Patton
  • Recorded By, Mixed By – Collin Dupuis, Tomahawk
  • Written-By [All Songs By] – Tomahawk

Notes

Digipak cover.

Recorded & mixed at Easy Eye Studios, Nashville, TN in 2012.

All songs by Tomahawk ©2012.

©&℗ 2012 Ipecac Recordings

Durations are not printed on the release.

Barcode and Other Identifiers

  • Barcode (Text): 6 89230 01422 5
  • Barcode (Scanned (UPC, A)): 689230014225
  • Matrix / Runout (Variant 1): DIDX-827407 2 A01
  • Matrix / Runout (Variant 2 & 3): DIDX-827407 2 A02
  • Mastering SID Code (All Variants): IFPI L329
  • Mould SID Code (Variant 1): IFPI 507D
  • Mould SID Code (Variant 2): IFPI 50F5
  • Mould SID Code (Variant 3): IFPI 50D8
  • Other (Rear cover): 17/23

Other versions

Category Artist Title (Format) Label Category Country Year
IPC-142 Tomahawk Oddfellows ‎(13xFile, MP3, Album, Dro) Ipecac Recordings IPC-142 UK, Europe & US 2013
IPC142 Tomahawk Oddfellows ‎(CD, Album, Unofficial) Ipecac Recordings IPC142 Russia 2013
none Tomahawk Oddfellows ‎(CDr, Promo) Ipecac Recordings none US 2013
none Tomahawk Oddfellows ‎(13xFile, MP3, Album, Aut) Ipecac Recordings none UK 2013
IPC-142-LP, IPC142LP, IPC-142 Tomahawk Oddfellows ‎(LP, Album) Ipecac Recordings, Ipecac Recordings, Ipecac Recordings IPC-142-LP, IPC142LP, IPC-142 UK, Europe & US 2013



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Moswyn
My copy has the 17/23 as well. I actually noticed that all of them at the record store had it. I'm still wondering what it means though
Moronydit
I find Duane Denison is among the ten great guitarists of the last 25 years. However, the music resulting from a continued collaboration with Yow, Sims and McNeilly would inspire me so much more than these extremely well crafted but eventually contrived soundscapes, where The Jesus LIzard was all organic to my ears: Do not get me wrong: Mike Patton is very gifted, but I just cannot bear his music and his operatic vocals, the latter sounding like the cross-breeding of Zappaesque sneer with the contrived zeal of Bono. Makes me cringe.
Xal
I also find his voice overbearing on most of the things he does. Where a delicate touch, some sophistication or subtlety is required, Mike Patton fails to deliver. Take Lovage, a great idea, boring as an instrumental project and ruined by Mike Patton when vocals were applied. Jennifer Charles saving most of the record.When I first heard Mondo Cane, my initial reaction was "hokey Italian karaoke" (ha! that rhymed) but I grew to love the compositions and the arrangements. I tolerated his voice. On some tracks I do enjoy his delivery, but most he is a detriment to. When I heard the original tracks by the original artists I was absolutely floored. Mina was truly a revelation to me as a naive rock fan.There are times when he is capable of the subtlety and the restraint required, Desastre Natural from Mit gas springs to mind. Other than that I think you're right in your assessment.