» » The Sorts - Six Plus
The Sorts - Six Plus

The Sorts - Six Plus

Musician: The Sorts
Album title: Six Plus
Style: Math Rock, Indie Rock
Released: 2002
Country: US
Size MP3 version: 1552 mb
Size APE version: 1899 mb
Size WMA version: 1803 mb
Rating ✫: 4.4
Votes: 719
Format: ADX AUD AIFF MP4 AA VQF MOD
Genre: Rock

The Sorts - Six Plus

Download Free links

The Sorts - Six Plus
MP3 version ZIP archive

1899 downloads at 21 mb/s
The Sorts - Six Plus
APE/FLAC version ZIP archive

1803 downloads at 22 mb/s
The Sorts - Six Plus
WMA version ZIP archive

1552 downloads at 18 mb/s

Tracklist

1 Reporting the Report
2 Erase the Spice
3 Swamp Cooler
4 Clusters
5 Bob James
6 Rapatrol
7 South Carolina
8 Robot Seagulls

Notes

The Sorts: Joseph P. McRedmond, Joshua La Rue (guitar); Stuart Fletcher (bass); Chris Farrall (drums).
Recorded at National Recording Studio, Washington, DC; January 2002.
Personnel: Joseph McRedmond, Joshua LaRue (guitar); Stuart Fletcher (electric bass); Chris Farrall (drums, percussion).
Recording information: dsll, Silver Spring Maryland; National Recording Studio, Washington DC.

Other versions

Category Artist Title (Format) Label Category Country Year
311LP The Sorts Six Plus ‎(LP, Ora) B-Core Disc 311LP Spain 2017
BC.311LP The Sorts Six Plus ‎(LP) B-Core Disc BC.311LP Spain 2017

Link:

Kieel
Slint, Rodan and Hoover. In the early nineties these three bands became a springboard for many other interesting projects. From the ashes of Hoover raised other bands like The Crownhate Ruin, June of 44, Regulator Watts or the matter in hand, The Sorts. In a scene -Washington DC/Dischord- dominated by highly inflammable post-hardcore bands like Fugazi or Jawbox, bands like The Sorts or Smart Went Crazy presented a more relaxed way of doing, instrumental games, a tiki-taka bass and drums. Fugazi had their ‘kid-from-Washington-imitating-Funkadelic’ moments, but The Sorts (and then The Boom and HiM) turned that intention into their true meaning of existence, both in composition as performance wise. They tried to flee from their punk and rock roots and vindicate other genres like jazz, dub or even psychedelic funk (the fanzines would call it post rock because it was shorter and more fashionable then).