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Monster Island - From The Michigan Floor

Monster Island - From The Michigan Floor

Musician: Monster Island
Album title: From The Michigan Floor
Style: Folk Rock, Acid Rock, Psychedelic Rock, Folk
Released: 1997
Country: US
Size MP3 version: 1297 mb
Size APE version: 1978 mb
Size WMA version: 1411 mb
Rating ✫: 4.4
Votes: 181
Format: AIFF TTA APE MOD AU FLAC ASF
Genre: Rock / Folk, World, & Country

Monster Island - From The Michigan Floor


Tracklist

A1 Lady Of Shalot
A2 Happy Girl
A3 Blue Revolution
A4 Wonderland
A5 Zone
B1 Nadja
B2 Hiroshima Bop
B3 Calling All Monsters
B4 Confession
B5 Crystal Cage
B6 Bridge Mirabeau

Credits

  • Artwork – Cary Loren
  • Bass – Matthew Smith
  • Clarinet – Wade Kergan
  • Guitar – Cary Loren, Matthew Smith
  • Percussion – Warn Defever*
  • Saxophone – Wade Kergan
  • Sitar – Matthew Smith
  • Songwriter – Cary Loren (tracks: A1-B6,)
  • Violin – Erika Hoffman-Dilloway*
  • Vocals – Cary Loren, Erika Hoffman-Dilloway*

Notes

Edition of 500 copies released in 1997 on Ecstatic Peace/ Father Yod/ The End is Here records. A CD with added tracks was released in 2009. There was also a lyric booklet with credits that was included with the LP, a flood destroyed most of these booklets.

Other versions

Category Artist Title (Format) Label Category Country Year
2009 CD Monster Island From The Michigan Floor ‎(CD, Album) The End Is Here 2009 CD US 2009



Link:

Viashal
Cary Loren, founding member of seminal '70s anti-rock outfit Destroy All Monsters (which, at one point, included former Stooges guitarist Ron Asheton and former MC5 bassist Michael Davis), emerges on this 1998 release showing his psychedelic roots. From the Michigan Floor is a period piece, and the period, stylistically, is somewhere between 1967 and 1970. Full-fledged psychedelic revivalism going on here, bathed in sitars, bells, vague religious musings, and even a reference to the Kent State shootings. Beginning with "Lady of Shalot" (adapted from a Tennyson poem), Loren's acoustic guitar and gruff vocal delivery (which sounds almost identical to Giant Sand's Howe Gelb) weave through 11 songs about death, Jesus, war, magic mirrors, and Japanese movie monsters with such conviction that it doesn't take much suspension of disbelief to imagine this album is some lost psych-rock gem. The warm production of Warren Defever (from His Name is Alive) helps matters, as does the sitar playing of Outrageous Cherry member Matt Smith, who appears almost throughout the album. Erika Hoffman of Godzuki is also featured prominently, singing and playing violin and bells. Highlights include the ironic "Happy Girl," sung by Hoffman in a Nico-esque deadpan accompanied by head-bobbing handclaps and shakers, and the following track, "Blue Revolution (Yves Klein)," which somehow makes lyrics like "the void shot out a flame from the heart of the earth" make sense. Overall, the album is pretty mellow and subtle; no fuzz guitar freakouts really. Rather, Loren chooses to explore the folkier side of psych with From the Michigan Floor. Similar in tone to albums by other latter-day psych revivalists like Bardo Pond, In Gowan Ring, and Bent Leg Fatima.
Jwalextell
Monster Island was formed in 1995 at a Ghost concert at Alvin's in Detroit. Initial members were Cary Loren, Erika Hoffman, Matt Smith and Warn Defever. It began as an acoustic psych-folk rock project using various traditional, unusual and ethnic instrumentation. Common inspiration was taken from the Incredible String Band, early T-Rex, Alice Coltrane and Don Cherry and The Godz. Their first album From the Michigan Floor a vinyl-only release, was recorded in 1995 and released on Ecstatic Peace/Father Yod/The End Is Here records. The album Peyotemind features the words of guest artist John Sinclair. They are currently preparing for the release of Children of Mu, a double LP history in lyrics and narration about the lost continent of Mu and the transmigration of Shadow theater & souls from the psychic beings of Mu to the Paris avant-garde and the invention of cinema. The band explores long diverse narratives ("Mu," "Peyotemind") and connective/ related songs which include artist and literary biographies (Mallarme, Alfred Jarry, Lewis Carroll, Yves Klien). They are often mistaken as a world band, but are simply interested in bending and blending the borders of Eastern sound, Haiti, Afrikana, China, electronics, Sufi, Voudun and other diverse cultures and religions within the context of their weird Detroit / Mid-western pop surroundings.