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Brazilian Octopus - Brazilian Octopus

Brazilian Octopus - Brazilian Octopus

Musician: Brazilian Octopus
Album title: Brazilian Octopus
Style: Latin Jazz, Easy Listening, MPB
Released: 1969
Country: Brazil
Size MP3 version: 1527 mb
Size APE version: 1367 mb
Size WMA version: 1506 mb
Rating ✫: 4.5
Votes: 827
Format: MMF VQF DXD AU MP2 WAV AC3
Genre: Jazz / Latin

Brazilian Octopus - Brazilian Octopus


Tracklist Hide Credits

A1 Gamboa
Written-By – Cyro Pereira, Mário Albanese
3:38
A2 Rhodosando
Written-By – Hermeto Pascoal
1:40
A3 Canção Latina
Written-By – Olmir Stocker "Alemão"*, Vitor Martins
2:30
A4 Pavane
Adapted By – Brazilian OctopusWritten-By – Gabriel Fauré
2:38
A5 As Borboletas (Les Papillons)
Written-By – A. Popp*, P. Cour*
3:05
A6 Momento B/8
Written-By – Brazilian Octopus, Rogério Duprat
2:00
B1 Summerhill
Written-By – João Carlos
2:00
B2 Gosto De Ser Como Sou
Written-By – Cyro Pereira, Mário Albanese
2:00
B3 Chayê
Written-By – Hermeto Pascoal
3:50
B4 Canção De Fim De Tarde
Written-By – Tereza Souza, Walter Santos
1:40
B5 O Pássaro (The Bird)
Written-By – Lanny*
3:00
B6 Casa Forte
Written-By – Edu Lobo

Companies, etc.

  • Recorded At – Estudios Reunidos
  • Distributed By – RCA Eletrônica Brasileira S.A.
  • Manufactured By – RCA Eletrônica Brasileira S.A.

Credits

  • A&R – Julio Nagib
  • Acoustic Guitar, Guitar – Olmir Stocker
  • Arranged By – Brazilian Octopus
  • Artwork [Back Cover], Liner Notes – Armando Blundi Bastos
  • Bass – Nilson Carlos Ruiz Matta*
  • Drums – Douglas De Oliveira
  • Engineer – Reinaldo Maziero, Rogerio Gauss
  • Flute – Hermeto Pascoal
  • Flute, Saxophone – Carlos Alberto De Alcântara Pereira
  • Guitar – Alexander Gordin
  • Layout – Licinio De Almeida
  • Piano, Organ – Aparecido Bianchi*
  • Producer – Fausto Canova
  • Producer, Recording Supervisor – Mário Albanese
  • Vibraphone – Joao Carlos Pegoraro

Notes

Laminated card sleeve.

Both Stereo and Mono issues utilised the same sleeve and had
FB-257 (mono) / SFB-257 (stereo) printed on the back of the sleeve.

Barcode and Other Identifiers

  • Matrix / Runout (A): FB-257 A 10 A
  • Matrix / Runout (B): FB-257 B 10 1B

Other versions

Category Artist Title (Format) Label Category Country Year
Pld A 5011 Brazilian Octopus Brazilian Octopus ‎(LP, Album) PDU Pld A 5011 Italy Unknown
LF-163 Brazilian Octopus Brazilian Octopus ‎(LP, Album, Mono, Promo) Fermata LF-163 Argentina 1970
VQCD-10215 Brazilian Octopus Brazilian Octopus ‎(CD, Album, RE) Victor VQCD-10215 Japan 2010
SFB-257 Brazilian Octopus Brazilian Octopus ‎(LP, Album) Fermata SFB-257 Brazil 1969
MR-SSS 543 Brazilian Octopus Brazilian Octopus ‎(LP, Album, RE, 180) ViNiLiSSSiMO MR-SSS 543 Spain 2017



Link:

OCARO
The only album by Brazilian Octopus is a wonderful mix of bossa nova, pop, Cuban rhythms, jazz and all kinds of cool sounds and vibes that transcends any possible category. Among several top musicians, the band features Hermeto Pascoal, Cido Bianchi (former Milton Banana Trio member) and Lanny Gordin. Presented in facsimile artwork and pressed on 180g vinyl. This is such a unique album. Each tune is a winner, no wonder originals have fetched exorbitant prices in the collectors market, and it has been hailed by connoisseurs such as Nicola Conte or Andy Votel over the years. It features Hermeto Pascoal, Cido Bianchi (former Milton Banana Trio member), Lanny Gordin. and shows an unusual mix of different styles and influences that transcends any possible category: from pop to Cuban rhythms. The bossa nova is obviously also present, as in many other Brazilian recordings from 1969, but the complex arrangements make this record lean towards the jazzier side of things while the organ/guitar/vibes sounds will also be appealing for garage music lovers. Brazilian Octopus was formed in 1968 after Lívio Rangan, a wealthy businessman from Sao Paulo, asked Cido Bianchi to put together a band that would play at the shows run by his fashion company, Rhodia. A proper work contract was issued, including three months of paid rehearsals. Despite their diverse background, most of the members of the band already knew each other as they would often perform at Stardust, a popular club managed by Lanny's father. Hermeto Pascoal and Nilson da Matta joined the band a few months later. Then Mr Rangan approached the band again with a new idea: the recording of a full album mixing tunes written by other artists and their own compositions. The record was released by Fermata in 1969 and the band was then tempted with the idea of recording a second album. However, the offer was declined since the musicians had not received any fee for their work. That was the end of Brazilian Octopus. Nearly five decades after its first release, with original copies having almost vanished off the face of Earth, now is the time for making this beauty available again.