» » Various - Murder Was The Case (The Soundtrack)
Various - Murder Was The Case (The Soundtrack)

Various - Murder Was The Case (The Soundtrack)

Musician: Various
Album title: Murder Was The Case (The Soundtrack)
Style: Soundtrack, Gangsta, RnB/Swing, G-Funk
Released: 2001
Country: US
Size MP3 version: 1829 mb
Size APE version: 1281 mb
Size WMA version: 1291 mb
Rating ✫: 4.3
Votes: 958
Format: AC3 FLAC MP1 MOD MPC RA WAV
Genre: Hip hop / Stage & Screen

Various - Murder Was The Case (The Soundtrack)

Various Soundtrack Gangsta RnB/Swing G-Funk 2001 US

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Various - Murder Was The Case (The Soundtrack)
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Various - Murder Was The Case (The Soundtrack)
APE/FLAC version ZIP archive
1291 downloads at 22 mb/s
Various - Murder Was The Case (The Soundtrack)
WMA version ZIP archive
1829 downloads at 18 mb/s

Tracklist Hide Credits

A1 –Snoop Doggy Dogg* Murder Was The Case (Remix)
Backing Vocals [Background Vocals] – Angela Dauphine*, Barbara Wilson, Danette Williams, Nanci Fletcher*Keyboards – Stewart BullardPercussion – Carl "Butch" SmallProducer – Dr. DreWritten By – Dat Nigga Daz, Dr. Dre & Snoop Doggy Dogg, Warren Griffen III, Rajal TrawickWritten-By – Dat Nigga Daz, Dr. Dre, Rajal Trawick*, Snoop Doggy Dogg*, Warren Griffen III*Written-By [Indo Smoke] – Rajal Trawick*
 4:20
A2 –Dr. Dre & Ice Cube Natural Born Killaz
Co-producer – Sam SneedKeyboards – Priest "Soopafly" BrooksProducer – Dr. DreWritten-By – Dr. Dre, Ice Cube
 4:51
A3 –Tha Dogg Pound What Would U Do?
Backing Vocals [Background Vocals] – Jewel*Keyboards – Priest "Soopafly" BrooksMixed By – Dr. DreProducer – Dat Nigga DazWritten By – Dat Nigga Daz, Kurupt, Big Pimpin' DeLemond, Snoop Doggy Dogg & JewellWritten-By – Big Pimpin' DeLemond*, Dat Nigga Daz, Jewell*, Kurupt, Snoop Doggy Dogg*
 5:08
B1 –Snoop Doggy Dogg* & Tray Deee* 21 Jumpstreet
Backing Vocals [Background Vocals] – Carl "Butch" Small, Nanci Fletcher*, Tony Green Keyboards – Sean "Barney Rubble" Thomas*Percussion – Carl "Butch" SmallPerformer [Nobody Can Be You But You] – Steve Arrington's Hall Of FameProducer – Dat Nigga DazWritten By – Snoop Doggy Dogg And Tray DeeeWritten By [Nobody Can Be You But You] – C. Carter*, S. Arrington*Written-By – Snoop Doggy Dogg*, Tray Deee*
 5:27
B2 –Nate Dogg One More Day
Backing Vocals [Background Vocals] – Angela Dauphine*, Barbara Wilson, Danette Williams, Nanci Fletcher*Keyboards – Priest "Soopafly" BrooksMixed By – Dr. DrePercussion – Carl "Butch" SmallProducer – Dat Nigga DazVocals [Additional Vocals] – Carl "Butch" Small, Nanci Fletcher*Written-By – Nate Dogg
 5:18
B3 –Jewell* Harvest For The World
Backing Vocals [Background Vocals] – Cynthia Calhoun, Nanci Fletcher*Bass – Tony Green Horns – Ron KingKeyboards – Stewart BullardProducer – Dr. DreWritten By – E. Isley, M. Isley, K. Isley, R. Isley, R. Isley, C. JasperWritten-By – C. Jasper*, E. Isley*, M. Isley*, K. Isley*, R. Isley*, R. Isley*
 3:52
B4 –Snoop Doggy Dogg* Featuring Tha Dogg Pound, Lil' Style* & Young Swoop Who Got Some Gangsta Shit?
Featuring – Lil' Style*, Tha Dogg Pound, Young SwoopProducer – Priest "Soopafly" BrooksWritten By – Lil' Style, Snoop Doggy Dogg, Kurupt & Dat Nigga DazWritten-By – Dat Nigga Daz, Kurupt, Lil' Style*, Snoop Doggy Dogg*
 5:28
C1 –Danny Boy Come When I Call
Performer [Let Me Love You] – Ray Parker, Jr.*Producer – D.J. Quik*Written-By – D.J. Quik*Written-By [Let Me Love You] – M. Henderson*, R. Parker, Jr.*
 4:55
C2 –Sam Sneed Featuring Dr. Dre U Better Recognize
Featuring – Dr. DreKeyboards – Sean "Barney Rubble" Thomas*Producer – Sam SneedWritten-By – Sam Sneed
 3:54
C3 –Jodeci Featuring Tha Dogg Pound Come Up To My Room
Arranged By [Vocal Arrangement] – Mr. DalvinCo-producer – Devante SwingFeaturing – Tha Dogg PoundKeyboards – Priest "Soopafly" BrooksProducer – Dat Nigga DazVocals [Additional Vocals] – Dat Nigga Daz, KuruptWritten-By – JodeciWritten-By [Rap Written By] – Tha Dogg Pound
 4:37
C4 –Jewell* Woman To Woman
Arranged By – Jewell*Bass – Cornelius Mimms*Drums – George "G-One" Archie*Guitar – David ForemanPercussion – Carl "Butch" SmallPiano – Warren Campbell*Producer – D.J. Quik*, George "G-One" Archie*, Jewell*Written By – J. Banks, E. Marion & H. ThigpenWritten-By – E. Marion*, H. Thigpen*, J. Banks*
 5:18
D1 –D.J. Quik* Dollars & Sense
Producer – D.J. Quik*Written-By – George "G-One" Archie*
 5:54
D2 –Slip Capone & CPO* The Eulogy
Producer – San ManWritten By – CPO-Boss HoggWritten-By – Boss Hogg , CPO*
 4:48
D3 –B-Rezell Horny
Drum Programming – Stereo Guitar – Byron GregoryKeyboards – Craig Williams Producer – Kevin Lewis*, Marc McWilliamsWritten By – Marc McWilliams And Tyrone WriceWritten-By – Marc McWilliams, Tyrone Wrice
 4:42
D4 –Young Soldierz Eastside-Westside
Bass – David MichelbackPerformer [Dazz] – BrickProducer – Big Y*, Lil' StretchVocals [Additional Vocals] – The Lil' HomiesWritten By – Big Y & Lil' StretchWritten-By – Big Y*, Lil' StretchWritten-By [Dazz] – E. Irons*, R. Ransom*, R. Hargis*
 4:45

Companies, etc.

  • Phonographic Copyright (p) – Death Row Recordings, LLC
  • Copyright (c) – Death Row Recordings, LLC
  • Manufactured By – Death Row Recordings, LLC
  • Distributed By – Death Row Recordings, LLC
  • Recorded At – Can-Am Recorders
  • Mixed At – Dre's Crib
  • Lacquer Cut At – Better Quality Sound
  • Pressed By – Rainbo Records – S-47615
  • Pressed By – Rainbo Records – S-47616
  • Pressed By – Rainbo Records – S-47617
  • Pressed By – Rainbo Records – S-47618
  • Licensed From – Warner Special Products
  • Licensed From – Arista Records, Inc.
  • Licensed From – Sony Music Entertainment
  • Produced For – Mentally Gifted Productions, Inc.
  • Published By – D. Dillinger Music
  • Published By – Ain't Nuthin' Goin' On But Fu-kin'
  • Published By – Big Simon Says Publishing
  • Published By – Wb Music Corp.
  • Published By – My Own Chit Music
  • Published By – Gangsta Boogie Music
  • Published By – Antraphil Music
  • Published By – Sharon Hill Music
  • Published By – Tray Tray's Music
  • Published By – GlobeArt Publishing
  • Published By – Amazing Love Publishing
  • Published By – Deeply Sliced Publishing
  • Published By – Nate Dogg Music
  • Published By – Bovina Music, Inc.
  • Published By – EMI April Music Inc.
  • Published By – High Priest Publishing
  • Published By – Famous Music
  • Published By – Way 2 Quik Music
  • Published By – Electrocord Publishing Co.
  • Published By – Raydiola Music
  • Published By – Golden Fingas Music
  • Published By – De Swing Mob
  • Published By – Dalvin Degrate Music
  • Published By – Joel Hailey Music Corp.
  • Published By – LBN Publishing
  • Published By – EMI April Music
  • Published By – Irving Music, Inc.
  • Published By – G-One Publishing
  • Published By – Slauta Houz Music
  • Published By – Christen Kelly Music
  • Published By – Hurt 'Em Bad Music
  • Published By – Mentally Gifted
  • Published By – Multi Platinum Punlishing
  • Published By – Silver Cloud Music
  • Published By – The Trolley Group

Credits

  • Art Direction, Design – Kim Holt, Unleashed
  • Engineer [Death Row Engineer] – Danny Alonso, Kesden Wright*, Tommy D. Daugherty
  • Executive-Producer – Suge Knight
  • Lacquer Cut By – Dc*
  • Photography By [Additional Photos] – Simone Green, Yoko Sato
  • Photography By [Front Cover Photo] – Duke Givens
  • Producer [Soundtrack Producer] – Dr. Dre

Notes

Digitally remastered 2001 reissue, originally released in 1994.

Released with a printed insert, listing all track specific credits.

"Murder Was The Case (Remix)" contains a sample of "Indo Smoke" (Rajal Trawick) / New Columbia Pictures

"21 Jumpstreet" contains a sample from "Nobody Can Be You But You" (S.Arrington/C.Carter), Globeart Publishing / Amazing Love Publishing / Deeply Sliced Publishing (BMI), as recorded by Steve Arrington's Hall Of Fame

"Come When I Call" contains a sample of "Let Me Love You" (M.Henderson/R.Parker Jr.), Electrocord Publishing / Raydiola Music (ASCAP), as recorded by Ray Parker Jr.

"Eastside-Westside" contains a sample from "Dazz" (R.Ransom/R.Hargis/E.Irons), Silver Cloud Music, Inc / The Trolley Group (ASCAP), as recorded by Brick

The "Front Cover Photo" credit is listed on the insert as:
© 1994 Duke Givens, courtesy of Duke Productions

Barcode and Other Identifiers

  • Barcode (Text): 7 28706 30051 3
  • Barcode (Scanned): 728706300513
  • Matrix / Runout (Runout side A, etched): 6807-63005-1 (A) DcBqs S-47615
  • Matrix / Runout (Runout side B, etched): 6807-63005-1 (B) S-47616 RE-1 DcBqs
  • Matrix / Runout (Runout side C, etched): 6807-63005-1 (C) S-47617
  • Matrix / Runout (Runout side D, etched): 6807-63005-1 (D) S-47618 RE-1 DcBqs

Other versions

Category Artist Title (Format) Label Category Country Year
92484-1 Various Murder Was The Case (The Soundtrack) ‎(2xLP, Album) Death Row Records , Interscope Records 92484-1 US 1994
WNRD 2108 Various Murder Was The Case (The Movie) ‎(DVD-V, RE) Death Row Records , Wienerworld Classic, Urban Edge WNRD 2108 UK 2001
92484-4 Various Murder Was The Case (The Soundtrack) ‎(Cass, Album) Death Row Records , Interscope Records 92484-4 US 1994
KR-006 Various Murder Was The Case (The Soundtrack) ‎(CD) Death Row Records , КИЛЛА Records KR-006 Russia 2002
VICP-65080 Various Murder Was The Case (The Soundtrack) ‎(CD, Album, RM) Death Row Records VICP-65080 Japan 2012



Link:

Wanenai
Sounds better than the original release, as do all of these Death Row vinyl repressing. At least when I was buying them in the early 2000s. Chronic & Doggystyle were vastly better!
Micelhorav
I have made the exact opposite experience!E.g. I recently purchased the original German issue of the Doggystyle album, and then compared it to the 2003 reissue (my copy was bought around 2012-2014).The difference is like night and day: The reissue sounds *awful* in direct comparison to the original pressing.I even have recorded sound clips and compared: The original German LP issue vs. the 2003 LP reissue vs. the 2003 CD reissue.The 2003 CD issue and the original German LP issue both sound very decent, and are soundwise far superior to the 2003 LP reissue.there's something wrong with the mids (sounds like those were EQed down a bit) and highs (they sound too "harsh" and are not as "clear" as they could be, sometimes they even sound "muddy" – example: the hi-hats on "Doggy Dogg World") on the reissue. Additionally it sounds (and looks like, when you look at the wave form on your computer) it has been compressed too much — this can be noticed, e.g. when you compare the snares on the different tracks.Ironically the remastered CD reissue does NOT suffer from that overcompression…if anyone's interested, I can provide the comparison snippets :-)I noticed a similar thing on 2Pac's "All Eyez On Me" reissue – the LP reissue does not sound quite right either, when compared to the CD reissue (unfortunately I don't have an original pressing of this, so I can't speak for the original pressing's sound quality).I personally will be staying away from those reissues :-)

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