Tracklist Hide Credits

A1	–Kenneth Threadgill, Bill Neely, Chuck Joyce, Awald Ziegler, Tary Owens, Powell St. John	Any Old Time Written By – Jimmie Rodgers	2:26
A2	–Kenneth Threadgill, Bill Neely, Chuck Joyce, Awald Ziegler, Tary Owens, Powell St. John	Why Should I Be So Lonely Written By – Jimmie Rodgers	2:46
A3	–Kenneth Threadgill, Bill Neely, Chuck Joyce, Awald Ziegler, Tary Owens, Powell St. John	Mississippi Delta Blues Written By – Jack Neville, Jimmie Rodgers	2:46
A4	–Kenneth Threadgill, Chuck Joyce, Juie Joyce, Bert McGuire Jr.	Waitin' For A Train Written By – Jimmie Rodgers	2:56
A5	–Kenneth Threadgill, Chuck Joyce, Bert McGuire Jr., Joeffry Gann, Travis Holland, Tiny McFarland	St. Louis (Honky-Tonk) Blues Arranged By – Kenneth ThreadgillWritten By – W. C. Handy
B1	–Kenneth Threadgill, Charlie Davis , Buzz Dolim, Don Wallace	Waitin' For A Train Written By – Jimmie Rodgers	2:45
B2	–Kenneth Threadgill	Jimmie's Mean Mama Blues Written By – Bob Sawyer , Waldo Lafayette O'Neal	3:00
B3	–Kenneth Threadgill, Charlie Davis , Buzz Dolim, Randy Melcancon	Brakeman's Blues Written By – Jimmie Rodgers	3:40
B4	–Kenneth Threadgill, Charlie Davis , Buzz Dolim, Randy Melcancon	Jimmie The Kid Written By – Jack Neville, Jimmie Rodgers	3:00
B5	–Kenneth Threadgill, Charlie Davis , Buzz Dolim, Randy Melcancon	Singing The Yodeling Blues Written By – Chuck And Julie Joyce, Kenneth Threadgill	2:30
B6	–Kenneth Threadgill	Wreck Of The Old 97	1:50
B7	–Kenneth Threadgill, Charlie Davis , Buzz Dolim, Randy Melcancon	Peach Pickin' Time In Georgia Written By – Clayton McMichen, Jimmie Rodgers	3:01

Credits

• Producer – Rod Kennedy

Notes

Information about this release from http://www.slipcue.com/music/country/countrystyles/hippiebilly/T_01.html (retrieved 7.29.17) : "Kenneth Threadgill "Yesterday And Today" (PSG Recording Studios, 1974) (LP)
(Produced by Rod Kennedy)
Known as "the father of Austin country music," old-timer Kenneth Threadgill (1909-1987) was an iconic figure and an important early patron of the Texas music scene. In his youth, Threadgill was a devotee of blues yodeler Jimmie Rodgers, and worked as a regional musician during the Great Depression before opening his own bar in the 1930s. For the next several decades, Threadgill's Tavern became a nurturing ground for local talent, hosting open-mic nights and touring acts, as well as Threadgill himself singing in his own old-school style. This album, which was created with the help of the Kerrville Folk Festival, compiles music recorded over the span of a decade or so, including mid-'60s demo tapes, a song from Threadgill's first seven-inch single, and live recordings from Kerrville and other, less formal venues. Throughout these tracks, Threadgill stays true to his roots, singing plenty of Jimmie Rodgers oldies and other songs of a similar vintage and hue, all with an admirable roughness, though also with a sense of unrushed authority. The year this album came out, Threadgill retired from ownership of the bar, selling it to the hippiefolk running the Armadillo World Headquarters, though he continued to host shows and perform at the soon re-opened Threadgill's restaurant."