the "I Want to give you my love" vocal bit on "Dreamer" ranks as one of my favourite breakdowns in any 'Golden Era' (91-94) Hardcore/Jungle releases....it epitomises everything great about the music, pitched up vocal with a harp-like melody giving you that heady hallucinogenic dreamy vibe then into a half-sped break that gets wildly chopped and reigns down like an onslaught of percussive madness before building back into the main sequence. Where did it even come from?!?! So unexpected and such a wicked, brilliant - genius part of the tune. Wow, what a f***ing tune. I just love it!!

Couldn't have said it better myself! Both of the tracks on here contain some excellent breaks

If you really like the beginning of dreamer, then check out Homegrown Records number 11.Heres the link: https://www.discogs.com/Trance-Maze-Down-On-The-Street-Give-You-My-Love/master/12699Listen from 1:23 for the same vocal

just for info purposes , the only mixtape i ever heard son of a bitch on , was pilgrim at quest untouchables early 94.

I heard it on a pilgrim set quest golden oldie night 1993

what a shame this never got a full release but at least there are soundclips up nowson of a b8tch is a choon and a half! complimented by one of the very best piano riffs ive ever heard

Agreed, that piano is awesome. I originally assumed it was sampled from somewhere, but then one of the members of Outa Intelligence told me that it was actually composed by one of them. Amazing work.

Two excellent tracks on this 12" that was never fully released, only available on promo. The first track contains a female vocal with an atmospheric synth riff. The second track is more like the tracks on the first Outa Intelligence release on B2B12001. This track also includes a wicked piano riff about halfway through that breaks up the tune nicely. A terrible shame that most people will never own this 12" or have even heard the tracks on it. Probably was never released due to sample clearance issues (although the female vocal used on this record is the same as the one used by Hyperactive in the track Do I Have To Wait on Awesome Records).