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Fatboy Slim - Everybody Needs A 303

Fatboy Slim - Everybody Needs A 303

Musician: Fatboy Slim
Album title: Everybody Needs A 303
Style: Breaks, Downtempo, Big Beat
Released: 1995
Country: UK
Size MP3 version: 1149 mb
Size APE version: 1700 mb
Size WMA version: 1539 mb
Rating ✫: 4.1
Votes: 724
Format: ASF AU MPC DTS VQF AA WAV
Genre: Electronic

Fatboy Slim - Everybody Needs A 303

Fatboy Slim Breaks Downtempo Big Beat 1995 UK

Download Free links

Fatboy Slim - Everybody Needs A 303
MP3 version ZIP archive
1700 downloads at 21 mb/s
Fatboy Slim - Everybody Needs A 303
APE/FLAC version ZIP archive
1539 downloads at 22 mb/s
Fatboy Slim - Everybody Needs A 303
WMA version ZIP archive
1149 downloads at 18 mb/s

Tracklist

A Everybody Needs A 303
AA1 Lincoln Memorial
AA2 We Really Want To See Those Fingers

Companies, etc.

  • Pressed By – Orlake Records
  • Published By – Polygram Music

Credits

  • Illustration – Graham Carter
  • Producer, Written-By – F. Slim*

Barcode and Other Identifiers

  • Barcode (Text): 5 025425 500664
  • Matrix / Runout (Side A runout etched): SKINT+6+A ORLAKE C
  • Matrix / Runout (Side B runout etched): SKINT+6+B ORLAKE C

Other versions

Category Artist Title (Format) Label Category Country Year
SKINT 31 Fatboy Slim Everybody Needs A 303 ‎(12", W/Lbl) Skint SKINT 31 UK 1997
skint 31cd Fatboy Slim Everybody Needs A 303 ‎(CD, Single, CD1) Skint skint 31cd UK 1997
skint 31xcd Fatboy Slim Everybody Needs A 303 ‎(CD, Single, CD2) Skint skint 31xcd UK 1997
FATBOY 001 Fatboy Slim Everybody Loves A Carnival ‎(12", S/Sided, Promo) Skint FATBOY 001 UK 1997
SKINT226D Fatboy Slim Everybody Loves A Bootleg (Sonny Wharton Remix & DJ Tools) ‎(3xFile, MP3, 320) Skint SKINT226D UK 2011



Link:

lets go baby
For those interested... The bassline from "Everybody Needs A 303" is sampled from Blo's track ‎"Get That Groove In", taken from album "Bulky Backside - Blo Is Back" (1979).
Goktilar
Seminal track from our Norman. On the A, we have the cheerfully lolloping "Everybody Needs a 303". Typically repetitive breakbeat with Josh Wink-style tweets and "check this out" sample. Why then is it so addictive? I'll say one thing about the B side: two tracks that can be played at 33 or 45 RPM. 45 is marginally better...just awesome, distinctive, driving drum 'n' bass.

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