» » Joanna Bruzdowicz - Bruzdowicz • Bogaert
Joanna Bruzdowicz - Bruzdowicz • Bogaert

Joanna Bruzdowicz - Bruzdowicz • Bogaert

Musician: Joanna Bruzdowicz
Album title: Bruzdowicz • Bogaert
Style: Modern Classical, Musique Concrète, Experimental
Released: 1981
Country: Belgium
Size MP3 version: 1239 mb
Size APE version: 1750 mb
Size WMA version: 1617 mb
Rating ✫: 4.5
Votes: 602
Format: VOX AHX APE AAC WAV DMF MIDI
Genre: Electronic

Joanna Bruzdowicz - Bruzdowicz • Bogaert

Joanna Bruzdowicz Modern Classical Musique Concrète Experimental 1981 Belgium

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Joanna Bruzdowicz - Bruzdowicz • Bogaert
MP3 version ZIP archive
1750 downloads at 21 mb/s
Joanna Bruzdowicz - Bruzdowicz • Bogaert
APE/FLAC version ZIP archive
1617 downloads at 22 mb/s
Joanna Bruzdowicz - Bruzdowicz • Bogaert
WMA version ZIP archive
1239 downloads at 18 mb/s

Tracklist Hide Credits

Homo Faber
A1 I. Le Souffle 8:11
A2 II. La Solitude 9:58
B1 III. La Sérénité 9:44
B2 Dum Spiro Spero (Naissance D'Une Vie - Jeunesse - Amours Et Chagrins - Illusions Et Raisons - Sagesse)
Flute – Marc Grauwels
 12:00

Companies, etc.

  • Recorded At – IPEM
  • Printed By – Daron-Bruyninckx

Credits

  • Design [Cover Design] – Dominique Gaffé
  • Illustration, Painting – Gaston Bogaert
  • Liner Notes – Horst-Jürgen Tittel
  • Producer [Production] – Antoine De Wouters D'Oplinter
  • Recorded By [Recording] – Ivan Schepers, Walter Landrieu

Notes

Homo Faber (electronic trilogy) was composed between 1970 and 1975.
Dum Spiro Spero (musical scenario for flute and tape) was composed in 1981.
Réalisation électronique : Studio IPEM, Gand • Belgique [Electronic realization : Studio IPEM, Ghent • Belgium]

Printed in Belgium

Barcode and Other Identifiers

  • Rights Society: SABAM-T.M.

Other versions

Category Artist Title (Format) Label Category Country Year
149 Joanna Bruzdowicz Bruzdowicz • Bogaert ‎(CDr, Album, RE, Unofficial) Creel Pone 149 US 2013
PV26-0010 Joanna Bruzdowicz Bruzdowicz • Bogaert ‎(LP, Album) Pavane Records PV26-0010 Japan 1981



Link:

Flathan
An excellent elecroacoustic avant-garde obscurity by this Polish rooted Belgian female artist. It seems to be the only document of her work in the electronics field, and as such it also includes elements of her more usual contemporary classical style. The unique combination is what makes this such an interesting record, not unlike early Ragnar Grippe for instance. Notable nods to Stockhausen, Pierre Henry, et al amidst a surreal and inventive concoction.

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