» » James Plotkin · Mick Harris - Collapse
James Plotkin · Mick Harris - Collapse

James Plotkin · Mick Harris - Collapse

Musician: James Plotkin
Album title: Collapse
Style: Dark Ambient, Minimal, Experimental
Released: 1996
Country: US
Size MP3 version: 1879 mb
Size APE version: 1591 mb
Size WMA version: 1989 mb
Rating ✫: 4.3
Votes: 560
Format: APE ASF MMF VOX AC3 AU DXD
Genre: Electronic

James Plotkin · Mick Harris - Collapse

Download Free links

James Plotkin - Collapse
MP3 version ZIP archive

1591 downloads at 21 mb/s
James Plotkin - Collapse
APE/FLAC version ZIP archive

1989 downloads at 22 mb/s
James Plotkin - Collapse
WMA version ZIP archive

1879 downloads at 18 mb/s

Tracklist

1 Momentum 11:58
2 Collision 10:29
3 Collapse 19:24
4 Drench 14:41
5 Dissolve 9:50

Companies, etc.

  • Recorded At – The Box
  • Mastered At – The Compound, San Francisco
  • Manufactured By – Asphodel
  • Pressed By – Disc Manufacturing, Inc. – 108026
  • Phonographic Copyright (p) – Sombient
  • Copyright (c) – Sombient
  • Copyright (c) – James Plotkin
  • Copyright (c) – Mick Harris

Credits

  • Created By, Guitar [Looped Guitar], Sounds [Natural And Unnatural], Effects [Processing] – Plotkin*, Harris*
  • Design – Ikue Mori
  • Mastered By – Mixture 151
  • Photography By – Anthony Burnham

Notes

Digipak packaging. Total time: 66:18
DIGIPAK® manufactured under license from AGI Incorporated.

Recorded at the Black Box during summer and winter 1995.
All tracks © James Plotkin/Mick Harris.
Mastered @ the Compound, San Francisco.

Thanks to Erik, Naut and Mitzi, Antonym.

©&℗ 1996 Sombient. Manufactured by Asphodel.
Printed in Canada.

Barcode and Other Identifiers

  • Barcode: 7 53027 09632 6
  • Matrix / Runout: W.O. 108026-2 S.O. ASP0963 DISC MFG., INC
  • Mastering SID Code: IFPI L803
  • Mould SID Code: IFPI 2F65



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Alexandra
one of the best dark ambient cd's out there...underrated...not to be missed
Cargahibe
5 demonic, dark, brooding monsters lurking in the darkness....beware!!! Superb album but not for the faint hearted.
Haal
On the SCORN "Evanescence" tour, JIM PLOTKIN would leave guitar loops hanging in the air after soundchecks, and clearly, at some point, MICK HARRIS, then around his second LULL outing, saw how his dark dystopian sound would combine well with these drifting loops. And sometime later they collaborated to create this Midnight In The Necropolis collection of driftworks. It's kinda difficult to tell where JIM's loops end and MICK's noise manipulations begin. But then that's not really the point to this album. You might say that, as with the HARRIS / LASWELL collab which appeared a little time later, this is an extension of the LULL project with the artist supplying MICK with the source material to blacken and corrupt. The loops and effects which go to make up these soundscapes are joined not only by guitar, but by human voice, indiscernably drowning in electronic vortex; what sounds like location recordings made in some railway station in the cold, lonely early hours.As with the other dark ambient - or as THE WIRE called it "Isolationist" - music which has appeared from the stygian depths of MICK's Birmingham laboratory, this sound ranges from vibrant walls of swirling, churning noise to low, subtle, almost shy tones which fade in and out of the Eternal Night. It's nowhere near as subtle as many of the LULL pieces - the title track, for instance, has a central phasing spine which is blatantly lo-tech, and sounds not unlike ANOTHER HEADACHE sped up a tad.Originally reviewed for Soft Watch.
Xisyaco
A collection of immensely massive and haunting soundspheres, where the sparse textures swirl and blend with the heavy drones. Dark ambient in its purest form.