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Lindstrom - Where You Go I Go Too

Lindstrom - Where You Go I Go Too

Musician: Lindstrom
Album title: Where You Go I Go Too
Style: Deep House, Disco
Released: 2008
Country: Norway
Size MP3 version: 1958 mb
Size APE version: 1519 mb
Size WMA version: 1373 mb
Rating ✫: 4.5
Votes: 434
Format: MP4 VOX AU MIDI AAC MP1 AC3
Genre: Electronic

Lindstrom - Where You Go I Go Too


Tracklist

A Where You Go I Go Too (Part 1) 13:10
B Grand Ideas 9:37
C Where You Go I Go Too (Part 2) 8:40
D The Long Way Home 12:41

Credits

  • Artwork By [Sleeve] – Kim Hiorthøy
  • Edited By – Prins Thomas (tracks: A, C, D)
  • Mastered By – Chris Sansom
  • Mixed By [Final Mix] – Knut Sævik
  • Written-By, Recorded By, Arranged By, Performer, Mixed By – Hans-Peter Lindstrøm*

Notes

Written, recorded, arranged, performed and mixed at Feedelity Studios / LHA Studio in Oslo, Norway.
Final mix at Krise Studio, Oslo.
Mastered at Engine Ears in Oslo.

Barcode and Other Identifiers

  • Barcode: 6 00116 84531 3

Other versions

Category Artist Title (Format) Label Category Country Year
STS153CD, STS153 Lindstrøm Where You Go I Go Too ‎(CD, Album) Smalltown Supersound, Smalltown Supersound STS153CD, STS153 Norway 2008
none Lindstrøm Where You Go I Go Too (Bonus Track Version) ‎(File, AAC, Album, 256) Feedelity none Norway 2008
STS153CD Lindstrøm Where You Go I Go Too ‎(CD, Album, Promo) Smalltown Supersound STS153CD Norway 2008
STS153CDX Lindstrøm Where You Go I Go Too ‎(2xCD, Album, Spe) Smalltown Supersound STS153CDX Norway 2008
none Lindstrøm Where You Go I Go Too ‎(CDr, Album, Promo) Sony / ATV Music Publishing none Scandinavia 2008



Link:

Eseve
Super Nature.
Pemand
After all this one has to be called crafts rather than arts. Granted even that the whole space disco/balearic/cosmic thing never was supposed to relieve us of, say, financial crisis this release is not just about musical it's about structural regression, pure and only sentiment. Sure it provides us with an all over smooth production, refined sound design and beautiful, yawn, arrangements. But what was promising when the whole sd/b/c/leftfield-thing restarted a while ago, stylistic diversity, kind of a productive whateverness, turned recently into a genre of serious reproduction: actually being deeply content with reproducing quite well known dead-ends from like 30 years ago.