Without a doubt the most influential single in the history of dance music. The multiple styles that the record blends is pretty remarkable. Kraftwerk & the early '80s electro movement was the beginning of the modern dance music in my opinion.This record changed the way Billboard tracked singles. This was the first record to sell >1 million copies with virtually no radio airplay. Before this record Billboard based their charts on airplay more than sales. I remember seeing an interview with the former head of charts at Billboard in 1986 on a show called Night Flight on the old USA Network (before Viacom destroyed it) and he talked about the growing influence of dance music tracks in the late '70s & early '80s.

This song came out when I was at Okeechobee Dozier school prison for boys ..I was at the second one not the first one were they found 50 body's ..many fights with this song ..lol ..a lot of d battery's flying

PLANET ROCK,122 BPM,ELECTRIC KINGDOM,FIX IT IN THE MIX,EGYPTIAN LOVER,FUNKY LITTLE BEAT,RECKLESS ETC,ETC,ETC,ETC owe Kraftwerk for a slu of jam's you could mix for a never ending tape or CD. To me 81-88 were the best years for good time forget about the shit in the street music. It is good to be up on the times but we need to have a good time also. I love this music I make old skool mixes all the time ,I will take every mix that I I listened to back in the day that I felt should have had this jam mixed in or that Jam mixed in but the DJ just didn't feel it or something and mix it the way I would have . Most sound great.:-) Later. Mastic

The main melody of "Planet Rock" is borrowed from the title track of Kraftwerk's influential album Trans Europe Express, while the drum pattern is based on the song "Numbers" from the Kraftwerk album Computer World.I will add myself that this style of music Electro/Techno was invented in Germany by Kraftwerk in the seventies they was so ahead of there time as this tune proves it,but this is an absolute classic and still sounds fantastic to this day!

Although the term "hip-hop" had been invented and used within the founding members of this scene (Keith Cowboy, Grandmaster Flash, The Sugar Hill Gang, etc.), Afrika Bambaataa is credited with using the term to describe the genre and subculture when this track hit the scene. A little ironic since I consider this track to be more electro than hip-hop, but maybe I'm splitting hairs. Both are very similar genres that greatly influenced each other somewhat equally.

Everyone cites the Kraftwerk melodies, but they seem to consistantly ignore that Bambaataa also had Robie replay a melody form Babe Ruth's, er, Ennio Morricone's "The Mexican" in this track too. Both Trans Europe Express and The Mexican were 70s breaks used by Bam, Flash, and other bronx breakbeat pioneers.

Agreed! Nobody seems to mention that! why?

I was 15 1/2 years old when this record was released. I had just become friends with the local record store buyer and would go with him into Manhattan to I.D.R.C record pool to pick up his weekly lot of promos. Usually I would sit in his illegally parked car and waited but the week "Planet Rock" was released in early April 1982, I went up there with him and it was playing and everyone was listening in awe. Jellybean was there talking about how this was 'the one'. And it was. I don't recall there ever being such an instant response for any one record ever except for "Rappers Delight". The thing with "Planet Rock" is that they pressed enough copies to allow mega sales from day one. "Planet Rock" was the essential DJ track which had everyone in the clubs and the streets locked into its grooves. Kraftwerk should have gotten writers credits but since John Robie actually replayed the parts, no samples were used however we all know the real story. Without Kraftwerk? No "Planet Rock". The only flaw I can think of is in Trenton, New Jersey. Trenton did'nt really rock to the "Planet Rock". At least from what I have been told.

Planet Rock was first laid on vinyl during 1982 and uses heavily cut down samples & beats from Kraftwerk's Trans Europe Express. The bassline is taken from Captain Sky's Super Sporm, track 2 on his 'Adventures of Captain Sky' LP released in 1978 - itself a very rare LP as there are two releases, Super Sporm is only found on the first blue label copy which never got produced in large numbers. Found it? Keep it!!

Tom Silverman, Tommy Boy founder and co-producer of this classic said that Pow Wow, one of Soulsonic Force MC's, forgot the words and he went "Zuh-zuh-zuh, zuh-zuh-zuh". He said "keep it, that's great". Little things that made it a classic.

The copy I have was given to me by Donald Glaude, when he was known as "DJ Dominator." It was one of his extra copies and it was getting a bit worn out. At the time, it was a bit difficult to get ahold of. Later on, I was able to find it pretty easily on some re-releases. What can I say about this EP, it is an absolute classic - years ahead of it's time. A bit of oldschool rap heavily influenced by the new sound immerging - called Detroit techno.