» » Xdugef - Bosslady
Xdugef - Bosslady

Xdugef - Bosslady

Musician: Xdugef
Album title: Bosslady
Style: Rhythmic Noise, Noise, Spoken Word
Released: 2008
Country: US
Size MP3 version: 1808 mb
Size APE version: 1896 mb
Size WMA version: 1839 mb
Rating ✫: 4.5
Votes: 250
Format: WAV AUD AAC AC3 MIDI MP3 DTS
Genre: Electronic / Non Music

Xdugef - Bosslady

Download Free links

Xdugef - Bosslady
MP3 version ZIP archive

1896 downloads at 21 mb/s
Xdugef - Bosslady
APE/FLAC version ZIP archive

1839 downloads at 22 mb/s
Xdugef - Bosslady
WMA version ZIP archive

1808 downloads at 18 mb/s

Tracklist

1 Double D's 2:58
2 Tens Times X 2:53
3 Malfunction 0:54
4 Buttplug 2:19
5 Quadruple D's 2:35
6 Pervert 3:18
7 Scream 4:43
8 Bats In The Anal Cave 1:23
9 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX 6:26
10 Bosslady Speaks, You Listen 6:02
11 Enterlube 1:02
12 Yo I'm A Sex Freak 0:57
13 Subs For Boobzilla 3:01
14 Dirty Filthy Kunt Pig 2:35
15 Sex Slave 2:23
16 Synth Coke 2:02
17 Stainless 2:25

Companies, etc.

  • Recorded At – Roy Milton Memorial Recording Studio

Notes

Package includes two black stamped rubber gloves, black insert, black CDr, in a jewel case wrapped in black self sticking pleasure tape, and titled with vinyl letters.

"Warning! This Disc Contains Extra Long Frequencies".

Other versions

Category Artist Title (Format) Label Category Country Year
none Xdugef Bosslady ‎(17xFile, AAC, 256) Canned Beef Records none US 2008
none Xdugef Bosslady ‎(17xFile, MP3, VBR) Canned Beef Records none US 2009

Link:

Memuro
This Cd arrives in a jewel case which is wrapped in "re-sealable sextape", the artwork is in part cut ups from female domination magazines and included with the cd is a single black latex glove. Xdugef is a noise maker from Los Angeles whose work is produced from found sources on the internet, from modified electronic toys and self made devices. There are 17 fairly short tracks, and on one we do hear the boss lady speak - but as elsewhere the whole work is a mix of pulses and beats, glitches and feedback. This has to be one of the most significant pieces I've yet reviewed. If noise contradicts itself by obliterating itself - and here we have that - and the actuality of the fucking up not only of sound but the mechanisms for making sound - which though is doubly inscribed by the whole iconography and ontology of female domination. A reversal of traditional roles yet one which is generally opposed by feminists - an interesting aporia which is the sexual doppelganger of the noise genre. It was Merzbow who famously created the problematic of noise paralleled by the exploitation of female bondage which was "carried" off by the excuse? of being part of an oriental culture- and so art! - the feminist critic becomes racist or tolerates female exploitation, imposes colonial values or allows the pornographic- the music isn't music but noise - yet we are in a double bind as it clearly is just that. Our value judgments flip backwards and forwards like computer logic gates, western logic and the rule of the excluded middle is broken - do we obtain what used to be called freedom? Do I enjoy the kitsch of noise/glitches - fishnets and arse as an intellectual comment - or as is - or both? Perfect. (Jliat) -Reposted with permission