Tracklist Hide Credits

A1	–Antonio Russolo	Corale
A2	–Filippo Tommaso Marinetti	Sintesi Musicali Futuriste
A3	–Antonio Russolo	Serenata
A4	–Filippo Tommaso Marinetti	Definizione Di Futurismo
A5	–Luigi Grandi	Cavalli + Acciaio
A6	–Wyndham Lewis	End Of Enemy Interlude Narrator – Wyndham Lewis
A7	–Guillaume Apollinaire	Le Pont Mirabeau Narrator – Guillaume Apollinaire
B1	–Tzara* / Janco* / Huelsenbeck*	L'amiral Cherche Une Maison À Louer Ensemble – Trio ExvocoVoice – Ewald Liska, Hanna Aurbacher, Theophil Maier
B2	–Marcel Duchamp	La Mariée Mise À Nu Par Ses Célibataires, Même Piano – Kristine Scholz, Mats Persson
B3	–Richard Huelsenbeck	Inventing Dada Interviewee – Richard HuelsenbeckInterviewer [1959] – Basil Taylor
B4	–Tristan Tzara	Dada Into Surrealism Interviewee – Tristan TzaraInterviewer [1959] – Olivier Todd
B5	–Kurt Schwitters	Die Sonata In Urlauten
B6	–Jean Cocteau	La Toison D'Or Narrator – Jean CocteauOrchestra – Dan Parrish Jazz Orchestra
B7	–Jean Cocteau	Les Voleurs D'Enfants Narrator – Jean CocteauOrchestra – Dan Parrish Jazz Orchestra

Credits

• Artwork [Collage & Graphism] – Joel Van Audenhague*
• Compilation Producer, Design – Frédéric Walheer, Guy-Marc Hinant*
• Compiled By, Concept By – James Neiss*
• Liner Notes – James Neiss*, Paul Hammond

Notes

Anthology of original recordings, documents and re-created material from Italian Futurists, Dada artists and French poets.

"Corale" originally released on 78 RPM record (Società nazionale del grammofono, R6919/20, 1924).
"Sintesi musicali futuriste" originally released on 78 RPM record (Columbia Records, DQ3661 - CB10633, 1931).
"Definizione di Futurismo" originally released on 78 RPM record (Società nazionale del grammofono, R6915, 1924).
"Le pont Mirabeau" recorded December 24th of 1913 by Université de la Sorbonne's "Archives de la parole". Preserved by Bibliothèque nationale de France.
"Inventing Dada" & "Dada Into Surrealism" recorded 1959.
"L'amiral cherche une maison à louer" originally released by Ark Records.
"La mariée mise à nu par ses célibataires, même" originally released by Caprice Records and published by the New York Foundation for contemporary arts.
"Die Sonata in Urlauten" recorded May 5th of 1932.
"La Toison d'or" & "Les voleurs d'enfants" recorded March 12th of 1929 for the readings, published by Éditions Mazenod.

Comes with a 12" insert with short information on artists based on source material by Daniele Lomabrdi, Ernst Schwitters, Bengt Emil Johnson, Hans Richter, Lee Harwood and Gaeton Picon, and a small reproduction of "Grande serata Futurista" original leaflet and other unsourced documents.

Other versions

Category	Artist	Title (Format)	Label	Category	Country	Year
LTMCD 2301	Various	Futurism & Dada Reviewed 1912-1959 ‎(CD, Comp, RE)	LTM	LTMCD 2301	UK	2000
SUBCD012-19	Various	Futurism & Dada Reviewed ‎(CD, Comp)	Sub Rosa	SUBCD012-19	Europe	Unknown
SUBCD012-19	Various	Futurism & Dada Reviewed ‎(CD, Comp)	Sub Rosa	SUBCD012-19	Europe	Unknown