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Rise Robots Rise - Talk Is Cheap / Flowers & Birds

Rise Robots Rise - Talk Is Cheap / Flowers & Birds

Musician: Rise Robots Rise
Album title: Talk Is Cheap / Flowers & Birds
Style: Leftfield, House, P.Funk, Industrial
Released: 1991
Country: US
Size MP3 version: 1728 mb
Size APE version: 1941 mb
Size WMA version: 1616 mb
Rating ✫: 4.6
Votes: 640
Format: MP2 AC3 MMF AU WAV DTS FLAC
Genre: Electronic / Funk / Soul

Rise Robots Rise - Talk Is Cheap / Flowers & Birds


Tracklist Hide Credits

1 Talk Is Cheap (LP Version)
Bass – Fima EphronVocals – Michelle Johnson
5:04
2 Back Talk
Saxophone [Tenor] – Andy SnitzerVocals – Paulisa Moorman
5:04
3 Flowers & Birds (LP Version)
Vocals – Tracey Amos
4:47
4 Flowers & Birds II: The Return
Vocals – Michelle Johnson, Tracey Amos
6:00

Companies, etc.

  • Recorded At – Fibre Studios
  • Mixed At – Fibre Studios

Credits

  • Management – William Derella
  • Mastered By – Tony Dawsey
  • Written By, Performer, Producer, Mixed By – Rise Robots Rise

Notes

1991 TVT Records, printed in the USA.
For promotion only.
Issued in a slimline (J-Card) jewel case.

Barcode and Other Identifiers

  • Barcode (Scanned): 016581321120
  • Barcode (Text): 0 1658-13211-2 0

Other versions

Category Artist Title (Format) Label Category Country Year
TVT 3211-2 Rise Robots Rise Talk Is Cheap / Flowers & Birds ‎(CD, Single) TVT Records TVT 3211-2 US 1991
TVT 3211-2, TVT 3211 Rise Robots Rise Talk Is Cheap / Flowers & Birds (And The Alternate Universe Remixes) ‎(CD, Single, Promo, Car) TVT Records, TVT Records TVT 3211-2, TVT 3211 US 1991
TVT 3211-1, TVT 3211 Rise Robots Rise Talk Is Cheap / Flowers & Birds ‎(12", Single) TVT Records, TVT Records TVT 3211-1, TVT 3211 US 1991
TVT 3211-AA Rise Robots Rise Talk Is Cheap / Flowers & Birds ‎(12", Single, W/Lbl) TVT Records TVT 3211-AA US 1991
TVT 3211-1 Rise Robots Rise Talk Is Cheap / Flowers & Birds ‎(12", Single, TP) TVT Records TVT 3211-1 US 1991



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Kekinos
This is bizarre, style-wise. It's industrial dance funk with r'n'b vocals and rap, similar (at times) to Consolidated, but with a very heavy Parliament/Funkadelic influence.I consider it a relic of a very specific time in the American club scene. People who did not like house and techno were hungry for dance music with "alternative" rock-n-roll sounds, so one faction of the industrial and "West Coast dance rock" scene was leaning toward producing a heavier rock or more funk-influenced sound. Sometimes they could even dabble in rap or pop sounds, and get away from the sample-based cacophonies and noisy, mechanical electro beats that had dominated industrial dance in the months and years prior.Industrial was a sinking ship, creatively, and soon to be commercially dead as well, but in the very early '90s it was still experimenting and transforming, trying to keep things interesting. In this particular example, it more-or-less succeeded.