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Moby - Destroyed

Moby - Destroyed

Musician: Moby
Album title: Destroyed
Style: Downtempo
Released: 2011
Country: Europe
Size MP3 version: 1683 mb
Size APE version: 1897 mb
Size WMA version: 1486 mb
Rating ✫: 4.4
Votes: 626
Format: VQF AC3 DTS AA MOD AU ASF
Genre: Electronic

Moby - Destroyed

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Moby - Destroyed
MP3 version ZIP archive

1897 downloads at 21 mb/s
Moby - Destroyed
APE/FLAC version ZIP archive

1486 downloads at 22 mb/s
Moby - Destroyed
WMA version ZIP archive

1683 downloads at 18 mb/s

Tracklist Hide Credits

1 The Broken Places 4:09
2 Be The One
Vocals – Moby
3:29
3 Sevastopol 4:20
4 The Low Hum
Written-By, Vocals – Emily Zuzik
4:12
5 Rockets
Vocals – Inyang Bassey
4:47
6 The Day
Vocals – Moby
4:32
7 Lie Down In Darkness
Written-By – Justin KieltyWritten-By, Vocals – Joy Malcolm
4:25
8 Victoria Lucas
Vocals – Inyang Bassey
5:54
9 After
Backing Vocals – Inyang BasseyVocals – Moby
5:29
10 Blue Moon
Vocals – Moby
3:30
11 The Right Thing
Vocals – Inyang Bassey
4:25
12 Stella Maris
Vocals – Anna Maria Friman
5:13
13 The Violent Bear It Away 6:50
14 Lacrimae 8:05
15 When You Are Old 2:18

Credits

  • Artwork [Photo Retouching] – Eric White
  • Design [Graphic Design] – Chris Ritchie
  • Mastered By – Joe Lambert
  • Mixed By – Ken Thomas
  • Mixed By [Assistant] – Ted Young
  • Producer, Written-by, Performer [All Instruments], Photography By – Moby

Notes

All tracks recorded in UK & USA

℗ 2011 Little Idiot
© 2011 Little Idiot

Released in conjunction with Embassy of Music Germany, Austria; Musikvertrieb Switzerland; Edel Italy, Portugal; PIAS BeNeLux, Spain.
Exclusively licensed to Mute for USA.

All rights reserved.

Cover photo taken from Moby's new photobook "Destroyed" released in conjunction with Damiani

Barcode and Other Identifiers

  • Barcode: 5 06023 6630469
  • Label Code: 24833
  • Matrix / Runout: AB28197-01
  • Mastering SID Code: ifpi L574
  • Mould SID Code: IFPI 9703
  • Other: manufactured by opitimal media production

Other versions

Category Artist Title (Format) Label Category Country Year
TOCP-71082 Moby Destroyed ‎(CD, Album) EMI TOCP-71082 Japan 2011
IDIOT010DLX Moby Destroyed (Deluxe) ‎(CD, Album + CD + DVD-V + Box, Dlx, Ltd, S/Edition) Little Idiot IDIOT010DLX Europe 2011
5099902876627 Moby Destroyed ‎(CD, Album) Little Idiot 5099902876627 Brazil 2011
5099902876627 Moby Destroyed ‎(CD, Album) EMI Music Canada 5099902876627 Canada 2011
5099902876627 Moby Destroyed ‎(CD, Album) Little Idiot 5099902876627 Argentina 2011



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Dandr
This is one of those albums where, when you listen to it again after a while, you'll think you have heard this music on some other cd of Moby somewhere. But it's actually only on this release. I think this describes the album best. It's nice to listen to the album as a whole, but there isn't much that will stick to you after the first few listens. It's not that the tracks are too simple. In fact they are a bit on the softer and more "simple" side, but that's not always a bad thing. He is bringing us beautiful and memorable music. I'll give this album 4/5. It's better than most other Downtempo music and it's great on many occasions. But compared to his other works this is not outstanding. It's not as deeply melancholic as Wait For Me and it's not as joyfully everlasting as Play and 18.But if the man would release 10 more albums like this, I'd buy them all.Like the person below me I'm also going to edit my review: The word "simple" might sound harsh describing this release. I meant it in a "less is more" kind of way. This has become my second favorite album of his after "Wait For Me". It's honest, pure and sensitive. I could listen to his music forever.
Sudert
I think I know what he was trying to do but it didn't work out. I Always give him another shot to try in the future.Update : liking it more. It actually might be the first album you play of his where if you don't pay attention to it it gets better. Most Moby music being in your face. This still is but the charm is more subliminal.Might be moby's most interesting release he's done. Can't figure out whether its a his second peak of quality like in the early 90's. Forget his popular period