A: What starts as a generic, bouncy house track is transformed by some frankly, Derick May "strings of life" piano, then Kevin Saunderson arrives with some chords then someone gives it to Mad Mike to put some spacey synths on top. Hugely (almost proudy) derivative, and schizophrenic given that middle third under the "influence" of three techno greats sounds like a brief audio alchemy. [TEN]B: Techno. Punchy bass drum and some quality synthwork. A lazy synth chord puts you in mind of deep house and fools you into thinking it's more thoughtful and restrained like Donnacha Costello but all that's toe tapping and head nodding proves otherwise. Very versatile bar messy breaky outro. Enjoyable. [NINE]