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Masonna - Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé

Masonna - Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé

Musician: Masonna
Album title: Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé
Style: Noise
Released: 1993
Country: Japan
Size MP3 version: 1519 mb
Size APE version: 1109 mb
Size WMA version: 1589 mb
Rating ✫: 4.9
Votes: 572
Format: MIDI MP1 VOC DMF ASF XM WMA
Genre: Electronic

Masonna - Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé


Tracklist

Bonus Tracks
1 Untitled 1:05
2 Untitled 0:45
3 Untitled 1:07
4 Untitled 0:40
5 Untitled 0:37
6 Untitled 0:58
7 Untitled 1:22
8 Untitled 0:51
9 Untitled 1:56
10 Untitled 2:23
11 Untitled 0:57
12 Untitled 0:51
13 Untitled 1:06
14 Untitled 2:11
15 Untitled 0:49
16 Untitled 2:01
17 Untitled 0:40
18 Untitled 3:01
19 Untitled 1:02
20 Untitled 0:20
21 Untitled 1:13
22 Untitled 1:07
23 Untitled 2:34
24 Untitled 0:58
25 Untitled 0:46
26 Untitled 3:38
27 Untitled 0:53
28 Untitled 2:29
29 Untitled 3:13
30 Untitled 1:16
-
31 Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé 0:04

Credits

  • Design [Sleeve] – Masahiko Ohno
  • Liner Notes – Jojo*
  • Photography By [Back Cover] – Reiko Azuma
  • Photography By [Stage] – Yoshihisa Takase
  • Sounds, Vocals [Singing], Recorded By, Edited By – Maso Yamazaki

Notes

Recorded and edited at Maso's home, December 1992.

Comes with OBI.

Barcode and Other Identifiers

  • Matrix / Runout: ARCD-057 D5430 A



Link:

Mikale
Classic Masonna; in both his humor and his enraged attack on the ears. The claim of "30 Bonus Tracks" on the cover is priceless (the final titular "proper" track being only 4 seconds long) - and do a seach for the meaning of said track for further laughs. As to the noise assault, Masonna approaches it like no other - literally throwing himself into the equipment and around the studio/stage. His use of vocals is more extensive than that of any other noise artist, and is reminiscent of power-electronics acts like Whitehouse. Unlike them, however, his vocal ramblings are pure jibberish, and do not distract from the sonic attack. Rather, they add to it in a viceral, gutteral way that is unique in noise. Grab this release if you can find it. It's an endurance test - potentially even for noise fans - but I had a smile on my face by the end.