One of those rare stand-out tracks that when it came out managed to capture the attention of those into the the rave/early hardcore scene (thanks to the raw sounding breakbeat and bassline underpinning the track), as well as those more into the soulful side of house, thanks to the unmistakably emotive vocals from Robert Owens, and warm pad instrumentation. I'm talking about the Bonesbreak Club Mix here. A perfect example of the raw and smooth working in harmony together. Also, one of many tracks to use the "no more mind games" sample from Liz Torres. PS The best version to get is the UK release on Breakout (promo only), as the pressing is much better than the City Limits one, most of which are badly pressed.