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Sabotage Q.C.Q.C.? - Goddess

Sabotage Q.C.Q.C.? - Goddess

Musician: Sabotage Q.C.Q.C.?
Album title: Goddess
Style: Techno, Industrial
Released: 1996
Country: Germany
Size MP3 version: 1182 mb
Size APE version: 1213 mb
Size WMA version: 1929 mb
Rating ✫: 4.1
Votes: 465
Format: RA AA DTS XM AU MP1 MOD
Genre: Electronic

Sabotage Q.C.Q.C.? - Goddess


Tracklist Hide Credits

1 Goddess 3:32
2 Goddess (Nausea Mix) 5:00
3 Do What U Do
Producer, Mixed By – Paolo Favati
4:59
4 Goddess (Grisha Mix)
Remix [Uncredited] – Grisha Zeme
3:49

Companies, etc.

  • Recorded At – Art & Strategy Studio
  • Recorded At – Blue Velvet Studio
  • Pressed By – EMI Uden
  • Marketed By – EMI
  • Distributed By – EMI

Credits

  • Artwork [Drawings] – Mauro Chiarotto
  • Cover, Management – Art & Strategy
  • Mixed By, Producer – Daniel.B.* (tracks: 1, 2, 4), Patrick Codenys (tracks: 1, 2, 4)
  • Music By, Lyrics By – Sabotage Q.C.Q.C.?

Notes

Recorded at Art & Strategy Studio, except track 3 recorded at Blue Velvet Studio, Firenze.
Printed in Holland.

Barcode and Other Identifiers

  • Barcode: 724386221124
  • Mastering SID Code: IFPI L046
  • Mould SID Code: IFPI1524
  • Matrix / Runout: EMI UDEN 8622112 @ 2
  • Rights Society: bel BIEM
  • Label Code: LC 3005

Other versions

Category Artist Title (Format) Label Category Country Year
7243 8 62211 2 8 Sabotage Q.C.Q.C.? Goddess ‎(CD, Maxi, Promo) Spin Records, EMI Electrola 7243 8 62211 2 8 Germany 1996

Link:

fightnight
This cd single, containing edited and re-worked versions of tracks off Sexploitation Cinema, shows a more dancefloor-friendly side of Sabotage Q.C.Q.C., comparable to the works of Die Form or Front 242's later output. Pulsing, beats, female vocals, and a nice sound overall, thanks to the able people in the production line-up. As the credits don't indicate the feel of the versions properly, a track-by-track run-down: 1. A more powerful version than the one on the album, shortened by 20 seconds. Should have been named a Club Mix or something like that. 2. Longer than the version on Deutscher Herbst '77, and stand-alone, as opposed to the version on Sexploitation Cinema; an ambient take on the song, but still enjoyable. 3. Totally different from the version on Sexploitation Cinema, this has a mad dancefloor appeal to it. Possibly the highlight of the single, if you can stand the pan-flute-like samples added; I certainly can. 4. A rework by the original studio line-up, this one's different (but not much) from the original.