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Various - Pinpoints On A Nation
Musician: VariousAlbum title: Pinpoints On A Nation
Style: Field Recording, Synth-pop, Experimental
Released: 1984
Country: US
Size MP3 version: 1940 mb
Size APE version: 1154 mb
Size WMA version: 1639 mb
Rating ✫: 4.7
Votes: 274
Format: AAC MP4 VOX VQF MOD AIFF DMF
Genre: Electronic / Non Music
Various - Pinpoints On A Nation
Download Free links
- 1154 downloads at 21 mb/s
MP3 version ZIP archive
- 1639 downloads at 22 mb/s
APE/FLAC version ZIP archive
- 1940 downloads at 18 mb/s
WMA version ZIP archive
Tracklist Hide Credits
| A1 | –F/C* | Ex Static |
| A2 | –Tim Wright | Death ValleyDrums, Tambourine – Doug Weiselman*Guitar – Tim Wright |
| A3 | –P.J.R.* | And Dogs Bark |
| A4 | –Domino* / Miranda* | CaughtVocals, Electronic Drums [Roto Toms, Rhythm Box], Guitar, Keyboards – Domino*, Miranda* |
| A5 | –Domino* / Miranda* | Dream BackVocals, Electronic Drums [Roto Toms, Rhythm Box], Guitar, Keyboards – Domino*, Miranda* |
| A6 | –A.F.R.* | Disappearing DaysAcoustic Guitar – Frank Rothschild |
| A7 | –Monte Cazazza | A Snitch Is A SnitchGuitar, Drum Programming [Programmed Rhythms] – Monte CazazzaLyrics By – Carl Panzran |
| A8 | –John Zulaica | Sunday Afternoon At The PianoPiano [Solo] – John Zulaica |
| B1 | –Psychic TV / Temple U.S. | UntitledBass Guitar, Guitar, Horns [Hunt Horn] – Genesis P. Orridge*Guitar [Treated], Gong – Monte CazazzaHorns [Hunt Horn] – Mark SangermanTape [Tape Sequences] – John Gosling |
| B2 | –F/C* | 1,000 Different Ways |
| B3 | –John Zulaica | A FantasyPiano [Solo] – John Zulaica |
| B4 | –M.A.S.* | Getting The Fear |
| B5 | –Arto Lindsay | Vanilla 1Drums, Other [Slaps], Trumpet – Duncan LindsayMixed By – A.L.*, D.L.*, Mc Allister*Recorded By – Steve Mc Allister*Vocals, Other [Slaps] – Cesar Vocals, Other [Slaps], Guitar – Arto Lindsay |
| B6 | –Arto Lindsay | Vanilla 2Drums, Cello – Arto Lindsay, Seth TilletDrums, Trumpet – Duncan LindsayMixed By – A.L.*, D.L.*, Mc Allister*Recorded By – Steve Mc Allister* |
| B7 | –Arto Lindsay | Vanilla 3Mixed By – A.L.*, D.L.*, Mc Allister*Recorded By – Steve Mc Allister*Snare – Mark Miller*Text By – SousândradeTranslated By – Arto Lindsay, Duncan LindsayVoice – Arto Lindsay, Duncan Lindsay, Erica BahiaWhistle – Duncan Lindsay |
| B8 | –F/C* | When You're Similing |
Credits
- Design [Graphic Design] – F.C.*, P.J.R.*
- Liner Notes [Text] – Domino*, Carl Panzram, Ed Sanders, Eldridge Cleaver, A.F.R.*, J.G. Ballard, Jack Henry Abbott, M.A.S.*, P.J.R.*, Sousândrade, Bill Burroughs*
- Mastered By – Steve Shapiro
- Photography By – Frank Rothschild, Mark Sangerman, Patrick Roques
- Recorded By, Engineer, Sampler [Emulator], Electronic Drums [Drumulator], Synthesizer – Steve Shapiro (tracks: A1, A3, A6, B2, B4, B8)
Notes
Packaged in black PVC envelope with double-sided three color poster featuring texts and photographs.Limited edition of 500.
Track A2 recorded in New York City 1983 at Hi-5 Studio.
Tracks A4 and A5 recorded in Flushing, Queens May 1984.
Track A7 recorded at The Dungeon 333 San Francisco 5·20·84; lyrics excerpted from Killer — A Journal of Murder MacMillian & Co. 1970.
Track B1 is an Antidote radio presentation live at Club 950 Chicago April 26 · 1984.
Track B2 incorporates anonymous voices from 7th & Market, S.F., CA recorded 5•10•84.
Track B7 uses an excerpt from O Guesa, canto 10 - 1858.
Track B8 is street sound, S.F. CA; recorded 5•10•84.
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