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The Consort Of Musicke - Musicke Of Sundrie Kindes
Musician: The Consort Of MusickeAlbum title: Musicke Of Sundrie Kindes
Style: Renaissance
Released: 1976
Country: UK & Europe
Size MP3 version: 1575 mb
Size APE version: 1456 mb
Size WMA version: 1125 mb
Rating ✫: 4.3
Votes: 255
Format: AU DTS MPC FLAC AAC DMF RA
Genre: Classical
The Consort Of Musicke - Musicke Of Sundrie Kindes
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APE/FLAC version ZIP archive
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WMA version ZIP archive
Tracklist Hide Credits
| Ars Perfecta (An Internationally Unified Language C. 1500) | ||
| Three Generations Of Flemisch Composers, Centered Around Josquin Des Prés | ||
| A1 | Pater NosterComposed By – Jacob Obrecht |
4:25 |
| A2a | Ich Draghe De Mütse ClütseComposed By – Jacob Obrecht |
1:30 |
| A2b | La La Hö HöComposed By – Heinrich Isaac |
1:25 |
| A2c | Mijn Morken GafComposed By – Jacob Obrecht |
1:20 |
| A3 | Pour Ung JamaisComposed By – Pierre de la Rue |
2:15 |
| A4a | Je Ne FayComposed By – Anon.*, Spinacino* |
5:35 |
| A4b | Mille RegretzComposed By – Josquin Des Prés, Narvaez*, Heckel* |
6:15 |
| A5 | Caeciliam CantateComposed By – Nicolas Gombert |
2:50 |
| The Fruits Of Love (The 'Frottola' And The Rebirth Of Music In An Italian Style) | ||
| Courts Of Lorenzo De' Medici (Florence) & Isabella D'Este (Mantua) Were Centers Of A Flowering Of Music | ||
| B1a | Tastar De Corde / RecercarComposed By – Joan Ambrosia Dalza |
4:40 |
| B1b | CalataComposed By – Anon.* |
|
| B1c | Ave MariaComposed By – Bartolomeo Tromboncino |
2:10 |
| B2a | Ostinato Vo' SeguireComposed By – Bartolomeo Tromboncino |
1:05 |
| B2b | Suite ReginaComposed By – Anon.* |
2:20 |
| B2c | Chui Dicese E Non L'amareComposed By – Anon.* |
1:35 |
| B2d | Pavana VenetianaComposed By – Anon.* |
1:05 |
| B2e | Se Mai Per MaravegliaComposed By – Anon.* |
3:10 |
| B2f | Suite FerrareseComposed By – Joan Ambrosia Dalza |
2:45 |
| B2g | Hor Che'l Ciel E La TerraComposed By – Bartolomeo Tromboncino |
2:20 |
| B3a | Palle, PalleComposed By – Arrigo Isaac* |
2:10 |
| B3b | Ne Più Bella Di QuesteComposed By – Arrigo Isaac* |
1:10 |
| B3c | Quis Dabit PacemComposed By – Arrigo Isaac* |
3:40 |
| Les Cris De Paris (One Hundred Years Of French Musical Fashion) | ||
| Rapid Changes Of Taste And A Deep Concern For The Sense Of The Text Lead To A Kaleidoscopic Variety | ||
| C1a | Virgo CelestiComposed By – Loysete Compere* |
1:30 |
| C1b | Belle, Tenés Moy / La TriquotéeComposed By – Anon.* |
2:45 |
| C1c | Celle Qui M'a DemandéComposed By – Anon.* |
1:20 |
| C1d | La, La, La, L'Oysillon Du BoisComposed By – Jean Mouton |
1:10 |
| C2a | Las, Je M'y PlainsComposed By – Claudin de Sermisy |
1:10 |
| C2b | Content DésirComposed By – Claudin de Sermisy |
3:10 |
| C2c | Content Désir Basse DanseComposed By – Attaingnant* |
|
| C3 | Les Cris De ParisComposed By – Clément Janequin |
6:20 |
| C4 | Hélas, Hélas, Que De MalComposed By – Guillaume Costeley |
3:35 |
| C5a | Fière CruelleComposed By – Claude Le Jeune |
2:20 |
| C5b | FantasiaComposed By – Eustache Du Caurroy |
2:00 |
| C5c | Mignonne AllonsComposed By – Anon.* |
3:55 |
| C5d | Las, Je N'eusseComposed By – Anon.* |
|
| C5e | Prince La France Te VeutComposed By – Eustache Du Caurroy |
1:45 |
| Fa La Li Le La | ||
| The Influence Of Italian Popular Music At All Social Levels Throughout Europe In The 16th. Century | ||
| D1a | Sentomi La FormiculaComposed By – Fillippo Azzaiolo |
0:45 |
| D1b | Quando La SeraComposed By – Fillippo Azzaiolo |
1:00 |
| D2a | Pavana De La Mortè De La RagioneComposed By – Anon.* |
2:05 |
| D2b | L'e Pur Morto Feragù Composed By – Anon.* |
2:05 |
| D2c | Saltarello De La Morte De La RagioneComposed By – Anon.* |
0:55 |
| D3a | La Bella FranceschinaComposed By – Anon.*, Pacoloni* |
3:35 |
| D3b | GiromettaComposed By – Anon.*, Azzaiolo* |
3:25 |
| D4a | Pavana El TodeschoComposed By – Anon.* |
1:05 |
| D4b | Mi Stare Pone TotescheComposed By – Cosimo Bottegari |
1:50 |
| D4c | Matona Mia CaraComposed By – Orlando Di Lasso* |
2:20 |
| D5a | Passamezzo CommunComposed By – Giovanni Pacoloni |
6:25 |
| D5b | RecercadaComposed By – Diego Ortiz |
|
| D5c | Padoana CommunComposed By – Giovanni Pacoloni |
|
| D6 | Cathalina, Apra FinestraComposed By – Orlando Di Lasso* |
3:35 |
| Quodlibet | ||
| Fusion Of Flemisch, French & Italian Styles With Local Musical Traditions In The 16th. Century | ||
| Germany: | ||
| E1a | Christ Der Ist ErstandenComposed By – Anon.*, Hans Judenkünig* |
1:45 |
| E1b | O Rosa Bella / Hastu MirComposed By – Anon.*, Dunstable* |
1:20 |
| E1c | Der Ratten SchwanzComposed By – Anon.* |
1:40 |
| E1d | Die KatzenpföteComposed By – Anon.* |
0:55 |
| E1e | Elslein, Liebstes ElseleinComposed By – Anon.* |
2:00 |
| E2a | Bruder KonradComposed By – Anon.*, Isaac* |
1:55 |
| E2b | Nach Willen DeinComposed By – Hoffheymer*, Heckel* |
4:40 |
| E2c | Vitrum Nostrum Gloriosum Composed By – Georg Forster |
1:15 |
| Spain: | ||
| E3a | La SpagnaComposed By – Francisco de la Torre |
1:10 |
| E3b | Adoramos Te, SeñorComposed By – Francisco de la Torre |
2:05 |
| E4a | FantasiaComposed By – Luis de Narvaez* |
1:10 |
| E4b | Dulces ExuviaeComposed By – Alonso Mudarra |
3:40 |
| E5a | E Qui La DiraArranged By – Cabezon*Composed By – Willaert* |
1:50 |
| E5b | Doulce MemoireComposed By – Ortiz*, Sandrin* |
3:15 |
| E5c | Lindos Ojos Aveys, SeñoraComposed By – Juan Vasquez |
1:10 |
| Per Cantare E Sonare | ||
| The Vocal Italian 'Madrigal' And Instrumental 'Canzona Francesa' Were The Largest Scale Forms Evolved | ||
| F1a | Recercare A 4Composed By – Giulio Da Modena* |
2:00 |
| F1b | Madonna, Qual CertezzaComposed By – Willaert*, Barberiis*, Verdelot* |
4:30 |
| F2a | Ricercare A 3Composed By – Giulio Tiburtino* |
2:00 |
| F2b | De La Belle ContradeComposed By – Cipriano De Rore |
2:45 |
| F3a | Canzona FranceseComposed By – Andrea Gabrieli |
4:45 |
| F3b | Occhi LucentiComposed By – Luca Marenzio |
2:25 |
| F4a | Canzona FranceseComposed By – Claudio Merulo, Terzi* |
4:45 |
| F4b | O Voi Che SospirateComposed By – Luca Marenzio |
3:40 |
| F5a | Canzona FranceseComposed By – Carlo Gesualdo |
2:20 |
| F5b | Mille Volte Il Dio MoroComposed By – Carlo Gesualdo |
3:00 |
| F6 | Sanctus Dominus DeusComposed By – Giovanni Gabrieli |
2:05 |
| The Merry Dumps (Melancholy And Mirth In English Music From 1480-1620) | ||
| Fusion Of Paradoxes Creating A Musical Language Through Borrowing Elements From The Continent | ||
| G1a | Thatt Was My WooComposed By – Robert Fayrfax |
2:00 |
| G1b | I Love, LovedComposed By – Robert Fayrfax |
2:55 |
| G2a | In NomineComposed By – Christopher Tye |
2:15 |
| G2b | Blame Not My LuteComposed By – Anon.*, Wyatt* |
1:55 |
| G2c | Lady WynkFyldes RowndeComposed By – Anon.* |
1:20 |
| G2d | Where Griping GriefsComposed By – Anon.*, Edwards* |
1:05 |
| G3a | Shooting Of The Guns PavanComposed By – Anon.* |
2:35 |
| G3b | Wand'ring In This PlaceComposed By – Michael Cavendish |
3:00 |
| G3c | Dolorosa PavanComposed By – Richard Alison* |
3:50 |
| G4a | Now Each Flowery BankComposed By – Orlando Gibbons |
3:15 |
| G4b | The Leaves Be GreeneComposed By – William Inglot* |
3:30 |
| G4c | Le RossignolComposed By – Anon.* |
1:30 |
| G4d | Musick And MirthComposed By – Tobias Hume |
2:00 |
| The Wind Of Change (The Changes Which Led European Society Into A New Age) | ||
| They Were Reflected In Musical Styles First In Italy C.1500 And Then Through The Whole Of Europe | ||
| H1 | La BrillantinaComposed By – Guiseppi Guami* |
3:00 |
| H2 | Sta NotteComposed By – Anon.* |
2:25 |
| H3 | SonataComposed By – Giovanni Fontana* |
6:30 |
| H4 | Nerinda BellaComposed By – Rafaello Rontani |
3:25 |
| H5 | ToccataComposed By – Girolamo Frescobaldi |
5:15 |
| H6 | Lamento D'OlimpiaComposed By – Claudio Monteverdi |
6:00 |
| H7 | Thus Sang OrpheusComposed By – Walter Porter |
3:20 |
Companies, etc.
- Printed By – Mundoprint B.V.
- Phonographic Copyright (p) – The Decca Record Company Limited
Credits
- Bass Vocals – David Thomas
- Chorus Master [Vocal Conductor] – Andrew Parrott
- Countertenor Vocals – John York Skinner, Kevin Smith
- Engineer [Sound Engineer] – Philip Wade
- Ensemble – The Consort Of Musicke
- Executive-Producer – Raymond Ware
- Flute [Tenor Flute], Flute [Bass Flute], Recorder [Descant Recorder], Alto Recorder, Recorder [Tenor Recorder], Bagpipes, Rauschpfeife – Bernard Thomas
- Harpsichord – Nicholas Kraemer
- Illustration, Cover [Booklet] – Lucas van Leyden
- Lute [Bass Lute], Bandura – Michael Hunt
- Lute [Tenor Lute], Lute [Bass Lute] – Julian Creme*
- Lute [Tenor Lute], Lute [Bass Lute], Lute [Great Bass Lute], Cittern, Lute [Gittern], Viol [Tenor Viol] – Anthony Rooley
- Painting, Cover [Box] – Lorenzo Costa
- Producer [Record Producer] – Peter Wadland
- Rebec [Treble Rebec] – Eleanor Sloan
- Research [Musical], Coordinator [Program Planning], Directed By, Liner Notes – Anthony Rooley
- Score Editor [Performing Edition] – Anthony Rooley, Julian Creme*, Trevor Jones
- Soprano Vocals – Emma Kirkby
- Tenor Vocals – Martyn Hill, Paul Elliot*
- Viol [Bass Viol], Viol [Lyra Viol] – Jane Ryan
- Viol [Tenor Viol], Viol [Bass Viol], Viol [Lyra Viol], Rebec [Bass Rebec] – Ian Gammie
- Viol [Tenor Viol], Viol [Bass Viol], Viol [Lyra Viol], Rebec [Tenor Rebec], Rebec [Bass Rebec], Viola – Trevor Jones
- Viol [Treble Viol], Viol [Tenor Viol], Violin, Viola – Polly Waterfield
- Violin [Treble Violin], Violin [Tenor Violin], Violin – Nicola Cleminson
- Violin [Treble Violin], Violin [Tenor Violin], Violin, Rebec [Treble Rebec], Rebec [Tenor Rebec] – Catherine Mackintosh
Notes
Ⓟ1975 The Decca Record Company Limited, London.The 20-page black and white booklet the size of the box contains notes and sung-texts in English, French and German.
It also has a track and credits-list, photos and a sources-list. Designed and printed by Mundoprint BV.
Box cover illustration: Lorenzo Costa (c.1460-1535) - 'The Court of Isabella d'Este' (Louvre, Paris).
Booklet cover illustration: Lucas van Leyden - 'Music Making Couple', 1524 (Museum Boymans van Beuningen, Rotterdam).
On the labels is the Decca logo displayed with key and musical notes.
Made in England (on box and labels).
Barcode and Other Identifiers
- Matrix / Runout (Side A - label): ZTT 811
- Matrix / Runout (Side B - label): ZTT 812
- Matrix / Runout (Side C - label): ZTT 813
- Matrix / Runout (Side D - label): ZTT 814
- Matrix / Runout (Side E - label): ZTT 815
- Matrix / Runout (Side F - label): ZTT 816
- Matrix / Runout (Side G - label): ZTT 817
- Matrix / Runout (Side H - label): ZTT 818
- Matrix / Runout (Side A - runout): ZTT-811-3A
- Matrix / Runout (Side B - runout): ZTT-812-2A
- Matrix / Runout (Side C - runout): ZTT-813-1A
- Matrix / Runout (Side D - runout): ZTT-814-2A
- Matrix / Runout (Side E - runout): ZTT-815-1A
- Matrix / Runout (Side F - runout): ZTT-816-1A
- Matrix / Runout (Side G - runout): ZTT-817-3A
- Matrix / Runout (Side H - runout): ZTT-818-1A
- Other (Record 1 - Side A and B - labels): 12BB 203
- Other (Record 2 - Side C and D - labels): 12BB 204
- Other (Record 3 - Side E and F - labels): 12BB 205
- Other (Record 4 - Side G and H - labels): 12BB 206
Other versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| R-03283, R-03284, R-03285, R-03286 | The Consort Of Musicke | Musicke Of Sundrie Kindes (4xLP, Comp, Club + Box) | World Record Club, World Record Club, World Record Club, World Record Club | R-03283, R-03284, R-03285, R-03286 | Australia | Unknown |
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