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Anima - Espiral Do Tempo

Musician: Anima
Album title: Espiral Do Tempo
Style: Baroque, Renaissance, Medieval
Released: 1997
Country: Brazil
Size MP3 version: 1464 mb
Size APE version: 1934 mb
Size WMA version: 1330 mb
Rating ✫: 4.1
Votes: 826
Format: DTS MP1 AC3 MP4 AUD VQF AU
Genre: Classical / Folk, World, & Country

Anima - Espiral Do Tempo

Anima Baroque Renaissance Medieval 1997 Brazil

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Anima - Espiral Do Tempo
MP3 version ZIP archive

1934 downloads at 21 mb/s

Anima - Espiral Do Tempo
APE/FLAC version ZIP archive

1330 downloads at 22 mb/s

Anima - Espiral Do Tempo
WMA version ZIP archive

1464 downloads at 18 mb/s

Tracklist Hide Credits

1	Deodora Composed By – José Eduardo Gramani	4:38
2	Tartarassa Composed By – Peire Cardenal	4:20
3	Cant'as Mangueira / Adeus Surpresa Written-By – Brazilian Oral Tradition*	1:38
4	Estampie Written-By – Anonimous XIV Century*	4:43
5	El Testament D'Amelia Written-By – Catalan Oral Tradition*	6:17
6	Mestre Pequeno Written-By – Brazilian Oral Tradition*	2:34
7	Se Jamais Jour Written-By – Anonimous XIV Century*	4:03
8	Além De Olinda Composed By, Written-By – José Eduardo Gramani	5:44
9	Duas Gigas Written-By – Scottish Oral Tradition And Irish Oral Tradition*	5:57
10	Tirana Da Rosa Written-By – Brazilian Oral Tradition*	5:58
11	A Força Do Boi Composed By – Ivan Vilela	3:28
12	Je Vivroie Liement Written-By – Guillaume de Machaut	2:52
13	Beira Mar /Cantá Written-By – Gildes Bezerra, Brazilian Oral Tradition*	7:48

Credits

Art Direction – Anima
Brazilian Fiddles – José Eduardo Gramani, Luiz Henrique Fiaminghi
Executive Producer – Valeria Bittar
Harpsichord – Patrícia Gatti
Percussion – João Carlos Dalgalarrondo
Recorder – Valeria Bittar
Ten-String Guitar – Ivan Vilela
Voice – Isa Taube

Notes

Recorded at the Benedictine Monastery in Vinhedo, SP, June 12-15 1997, by Plínio Hessel. The recording system "spaced pair" was used for perfect ambiance caption, therefore this CD should be heard preferably in stereo. This recording was edited with no cuts and no electronic processing, taking full advantage of the church's acoustics, so external noise may be heard.